Entertainment

Entertainment Home News and Gossip Kantara Chapter 1 box office day 12: Rishab Shetty’s epic drama sees slight DIP, earns Rs… Produced by Hombale Films and directed by Rishab Shetty himself, Kantara Chapter 1 released on theatres on October 2. It serves as a prequel to the 2022 Kantara. It stars Rukmini Vasanth, Jayaram, Gulshan Devaiah in key roles. Here’s a look at its day 12 collections. Kantara Chapter 1 box office collection day 12: Kantara: Chapter 1, which was released over the holiday season, October 2, had a huge opening day and made over Rs 60 crore in India on its first day of release. The film is soaring at the box office, easily surpassing Bollywood’s Sunny Sanskari Ki Tulsi Kumari by a wide margin. Let’s examine the day 12 box office receipt of the movie. Entertainment Kantara Chapter 1 box office collection day 12 The movie has now slowed down after a great second weekend with increasing receipts. In India, though, it surpassed Rs 450 crore. A Sacnilk report says that the movie had a successful second weekend at the box office. The film’s weekend total came to Rs 78.75 crore after earning Rs 39 crore on its second Saturday and Rs 39.75 crore on Sunday. On the second Monday, however, the movie’s earnings fell dramatically, totalling just Rs 13.50 crore. It now has a total domestic box office receipt of Rs 451.90 crore. Kantara Chapter 1 debuted with a collection of Rs 61.85 crore, earning Rs 45.4 crore on Day 2, Rs 55 crore on Day 3, Rs 63 crore on Day 4, Rs 31.5 crore on Day 5, Rs 34.25 crore on Day 6, and Rs 25.25 crore on Day 7. The film earned Rs 21.15 crore on Day 8, 22.25 crore on Day 9, and 39 crore on Day 10. According to early estimates, the film earned another Rs 39 crore on Day 11, bringing the total revenue to Rs 437.65 crore in India net. Entertainment Entertainment About Kantara Chapter 1 Rishab Shetty is the director and star of Kantara: Chapter 1, which is distributed by Hombale Films and supported by Vijay Kiragandur and Chaluve Gowda. Kantara (2022), which also won the award for Best Popular Film Providing Wholesome Entertainment, had already earned Rishab the National Film award for Best Actor. Jayaram, Gulshan Devaiah, and Rukmini Vasanth have significant parts in the prequel. Banglan is the production designer, B Ajaneesh Loknath is the music composer, Suresh is the editor, and Arvind S. Kashyap is the cinematographer. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More

Entertainment This actress flew all the way to India, just to meet her teenage crush, Salman Khan. Read ahead to know how she got into acting and became a part of bollywood. 1/8 Entertainment Salman Khan’s Maine Pyar Kiya changed this actress’ life A young former Pakistani-American actress recently shared her unfiltered opinions about the big three of the Bollywood industry, Shah Rukh Khan, Salman Khan, and Aamir Khan. She also shared how she got so captivated by Maine Pyar Kiya that she made an extraordinary decision. She flew over 8,800 miles to India. To marry Salman Khan. 2/8 Entertainment Salman Khan’s Maine Pyar Kiya was a global hit Maine Pyar Kiya, released in 1989, was truly a blockbuster hit. Salman Khan’s role charmed many people, including this young actress. This proved that the romantic blockbuster was iconic across India and beyond. 3/8 Entertainment Instead of chasing Salman Khan, this actress… When the actress arrived in India, she did not chase Salman. Instead, she chose to try her hand at acting. He faced a lot of challenges while navigating a competitive industry and a new city. Her dedication and hardworking nature earned her a place in Bollywood. 4/8 Entertainment Salman Khan dated this actress The actress and Salman Khan grew really close in the early 1990s. Their friendship eventually grew into something more than a platonic bond. They started dating, and the media and fans started noticing their chemistry. 5/8 Entertainment Their relationship lasted over… Their romance lasted over eight years, and it captured the attention of everyone. The couple was often seen together at events and media functions. Even though they went through constant scrutiny, fans admired their bond. 6/8 Entertainment The actress worked on her skills During the relationship, the actress continued to work in films. She did not receive commercial success, but her performances were praised a lot. She skillfully managed her work while being in the public eye 7/8 Entertainment Their relationship came to an end After eight years of dating, their relationship came to an end. She accused the actor of domestic violence. She started focusing on her personal growth and new ambitions. 8/8 Entertainment That actress is none other than… The actress behind this intriguing story is Somy Ali. When she left Bollywood, she started focusing on humanitarian work. She became the founder of No More Tears, a foundation that helped victims of domestic violence and human trafficking. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Entertainment Subscribe Now Read More

Entertainment After opening for the British pop artist on his recent India tour, Gandhi joins the likes of Karan Aujla and Hanumankind for an upcoming remix EP, set to release on Oct. 17, 2025. Jonita Gandhi and Ed Sheeran. Photo: Courtesy of the artist British pop star Ed Sheeran‘s new album Play has arguably deepened his connection with India. Now, he’s taking it a step further with an upcoming EP of remixes featuring a lineup of Indian artists, including Karan Aujla on “Symmetry” and Hanumankind, Dhee, and Santosh on “Don’t Look Down.” The EP also includes a new Hindi version of his song “Heaven,” a collaboration with Mumbai-based pop artist Jonita Gandhi. Gandhi gushes about being a longtime fan of Sheeran’s, and calls the collaboration “really special.” She adds about the making of the song, “After having the chance to meet him and even open for his concert earlier this year in India, I was blown away by how genuine and grounded he is — and how much he truly appreciates the music and culture here.” While “Sapphire” featured Punjabi lyrics sung by Singh, Gandhi notes that this is Sheeran’s first song to feature Hindi lyrics. She adds, “I’m so honored to be the one to do it. It’s a beautiful love song, and I feel so honored to bring a little bit of my personality and heart into it. I’m so excited for people to hear this version!” After singing in Punjabi with the likes of Arijit Singh on “Sapphire,” joining Punjabi star Diljit Dosanjh on stage, and announcing a collaboration with Punjabi pop star Karan Aujla, the remix EP, slated to release on Oct. 17, 2025, extends the Play universe in a cross-cultural direction. In an Instagram post featuring Aujla and Norwegian hip hop group Quick Style, Sheeran also announced that the music video for “Symmetry” will drop the same day. Gandhi, who opened for Sheeran at his Chennai stop in February this year before Play was out, adds a Hindi verse to amplify “Heaven,” a love song. A press release says about the track, “Jonita’s lines reflect the same theme, the feeling of finding home in someone’s arms and falling in love all over again. The duet keeps the arrangement simple and true to the original, letting both voices carry the weight of the song while making it honest, universal, and deeply personal at once.” In the past, Gandhi has collaborated with the likes of Pakistani pop maverick Ali Sethi (“Love Like That”) and, more recently, with U.K. DJ-producer Sigala and pop group Little Mix’s singer Leigh-Anne on “Hello.” In June, she released her Hindi single “Beparwai,” produced by Tamil-Canadian beatsmith Yanchan Produced and Ariza. While “Heaven” is the first Ed Sheeran song to feature Hindi lyrics, there’s also a Hindi song for actor Shah Rukh Khan’s upcoming film in the works. Read More

Entertainment In the span of 18 years, the Bengaluru act have transformed India’s treasured traditional music into grandiose tunes with an appeal across ages, now heard on their new album ‘Arrival of The Ethereal’  In July 2011, I stood in a serpentine queue outside Hard Rock Café on Bengaluru’s M.G. Road. Inside, there was barely any space to move, as the crowd pushed and shoved through the room to find an inch to stand. But as lofty keys built anticipation and Carnatic vocal melodies made way for the first guitar riffs to cut through the air, everyone began craning their neck towards the elevated stage with mesmerized focus. We had all jostled to watch Agam unleash their take on traditional South Indian songs, a set infused with hints of Sufi and a tribute to master composer A.R. Rahman, an early supporter of the band. It was the first time I got to experience the full force of the band that has been steadily building their legacy since 2003 — taking the familiarity of Carnatic compositions and Malayalam folk songs and preserving their spiritual essence while also slamming on percussive power, towering prog guitars, sublime vocals and even violins.   Agam are Rolling Stone India’s latest digital cover stars. At the time, Carnatic progressive rock — a fusion that Agam continue to champion even today — did not really exist. Even the band was still trying to find their footing and do justice to the tag. Sure, the likes of Motherjane’s Baiju Dharmajan were leading the way, but Agam leaned into it completely — interpreting ragas and compositions by poet-saint Thyagaraja, while also nodding to prog greats like Dream Theater, and peppering it with a bit of South Indian folk.   Agam won the 2007 televised music competition Ooh La La La, where they were discovered by A.R. Rahman. Photo: Courtesy of the artist “I think our behavior as a band was also shaped by how the scene shaped us,” vocalist Harish Sivaramakrishnan says when we speak over a video call. “Like, if the scene remained as awkwardly disjointed as what it used to be, then it would have been a very different story. But I think the whole purpose of playing music got solidified because we got a great audience.”   From then to now, if there’s anything that’s constant, it’s that Agam have drawn audiences from across demographics, from ages 8 to 80. From the open-minded Carnatic music followers who count thalams on their fingers to prog rock and metal fans who want to headbang and behold the intricate and heavy rhythmic shifts — you’ll see them all at Agam’s shows.   Formed in Bengaluru between 2003 and 2007, just as they were transitioning from college to work life, vocalist (and back then, violinist) Harish Sivaramakrishnan and drummer Ganesh Ram Nagarajan had just begun jobs in the city’s software industry (naturally). Keyboardist Swamy Seetharaman had a few more years of work experience (“He was the only one that had money,” Sivaramakrishnan jokes) and guitarist T. Praveen Kumar had just landed a tech internship. Seetharaman was not just a band manager and catalyst for Agam (Sivaramakrishnan likens him to the manager and confidante character of Mangalam in the 2003 coming-of-age Tamil film Boys, essayed by the late great Tamil comedian Vivek), but also remains a key songwriter in the band to this day.   Agam recording the videos for songs off their third album ‘Arrival of The Ethereal.’ Photo: Courtesy of the artist, Illustration: Rahil Koshti Seetharaman recalls lucidly how, in May 2005 in Bengaluru, they met at a South Indian restaurant in Indiranagar’s 12th Main. “I still remember that I crossed the signal, I met Harish and we went to a studio,” he says. A digital audio workstation called Paris was at their disposal and Agam first began recording music through “analog recording” and jamming. “I would say I’m a firm believer in energies and how you sort of resonate with people. When I met Harish and Ganesh, it was just that energy that was carrying forward,” he adds.   With a lineup that included bassist Vignesh Lakshminarayanan and percussionist Sivakumar Nagarajan at the time, they recorded songs like “Lakshiya Paadhai” and “Mystical Aabheri.” Seetharaman says that it was around then that they decided to go “all in.” It led to them winning the 2007 televised music competition Ooh La La La, where they were discovered by A.R. Rahman. In a retrospective to mark the release of Arrival of the Ethereal, Rahman said in a video message, “Very few bands have a belief in an identity, and that too from India. I find Agam one of those—a very strong identity […] They make their sound an experience.”   Agam vocalist Harish Sivaramakrishnan. Photo: Courtesy of the artist, Illustration: Rahil Koshti For Sivaramakrishnan, being part of Ooh La La La — the project that launched Agam into regional acclaim in South India, and even caught some national attention thanks to Rahman — was almost like getting the whole nine yards treatment that independent bands rarely got. “There would be a backline that you could rig your gear to, proper amps and a decent P.A. That was a big premium at that point in time,” the vocalist says. And, they got to play their own songs, a limited opportunity at a time when independent music festivals and platforms were far and few. “An added value was that potentially, A.R. Rahman would come and listen to you,” he points out. For Seetharaman, it was a watershed moment to believe he could make music, especially bolstered by the likes of Rahman, who appreciated his lyrics. He says emotionally, “[It was about] making people believe in themselves and giving that little nudge, saying, ‘Hey, I see something in you.’”   Agam went on to cinch bigger wins and gain wider exposure. And, although their day jobs took much of their focus for a few years, they also began chipping away at what would become their seminal debut album The Inner

Entertainment According to one of the singers, Ejae, she saw a ghost while recording the song, fueling speculation about a Korean myth that links paranormal experiences to a song’s success. A still from the song “Golden” featured in ‘KPop Demon Hunters.’ Photo: courtesy of Netflix. When the beat drops on “Golden,” it’s an infectious sound — a rallying cry, a message of empowerment, and a celebration of how music can help overcome even the darkest of moments. Featured in Netflix’s blockbuster animated movie KPop Demon Hunters, “Golden” has become the defining song of the fictional girl group Huntr/x’s battle against evil, capturing the essence of their epic journey. Performed by Ejae, Audrey Nuna, and Rei Ami, “Golden” is definitely a cut above the rest from an all-hit album that has achieved massive success. The song topped the Billboard Hot 100 and Billboard Global 200 as well as charts in several other countries. From Instagram to TikTok, “Golden” has gone viral, with millions of users sharing their own takes on it. Fans and celebrities have even been creating their own cover versions of the song on social media. And while the craze continues, the song has been certified Double Platinum by the Recording Industry Association of America (RIAA) in the United States, with sales of over 2 million units. But as Ejae recently revealed on the popular American late-night talk show The Tonight Show with Jimmy Fallon, “Golden”’s success is shrouded in a fascinating mystery. It’s a backstage anecdote that speaks to the song’s success — and it’s not what you’d expect. Ejae recounted, she saw a “grunge ghost” during a technical issue while she was in the middle of recording the song. She recalled the moment, saying, “So what happened was, you know, midway…my knob wasn’t working.” The knob, which controlled the volume, had malfunctioned, and Ejae had called out to the assistant engineer, Sully, for help. “I was like, ‘Hey Sully, it’s not working,’” she said, “and I heard him walk in, you know, open the door, his footsteps.” But by then, the issue had fixed itself, and when she looked up, no one was there. However, Ejae described what she saw in a fraction of a second: “I saw a tall dude with a flannel…with blue jeans…he was super tall…he was like walking towards me, but like…for a split second.” The encounter was brief but intense, yet quickly dismissed by Ian Eisendrath, the music director, urging them to get back to work. The experience didn’t sit well with Ejae, and she discussed it with the studio staff the next day, asking how old the building was, to which they responded, “Did you see a ghost?” It turned out that the studio had a reputation for paranormal activity, with a male ghost reportedly haunting the third floor and a female ghost on the fourth. Ejae shared that her mother reminded her later of a Korean myth that “if you see a ghost or any paranormal activity while recording a song, it’s a hit.” Ejae’s experience is not an isolated incident. The Korean myth is well-known in the K-pop industry, with many idols sharing their own ghostly encounters. According to a Creatrip report, artists, including 2AM’s Jo Kwon, have spoken about a “ghost boy” on the basement stairs of the old JYP building, which he added was built on a former cemetery. SM Entertainment also has its share of eerie stories, with idols like NCT’s Johnny and Jaehyun recounting strange noises during late-night practice sessions. Jaehyun referenced the myth that seeing a ghost during rehearsal is a surefire sign of a song’s success. Likewise, RBW’s “Ghost Minji” apparently haunts their recording studio, stirring up controversy among singers. Koreaboo reports that after finishing his part for a song during the making of their Wings album, BTS’s Jungkook played it back to find his vocals missing and another voice on the track instead. Many often associate the phenomenon with the album’s success. These stories may be difficult to swallow, but the thing is, they have inspired some incredible art, like “Golden.” And while the mystery remains, the music speaks for itself. Read More

Entertainment The Auroville artist has gained online fame promoting healthy eating and speaking in Tamil, but he’s also steadily worked on the jazz-fusion band’s new album ‘Cage’ Auroville-based artist Krishna McKenzie performs with Emergence. Photo: Courtesy of the artist Tamil dishes, permaculture, organic farming, and jazz all anchor artist Krishna McKenzie’s mind like few other things. With his band Emergence, he’s recently released the new album Cage, featuring songs that are all about life’s philosophies (and a dash of romance), which the British-origin pondered as he spent years living “the pioneer life.” “I know what it means to have no water and build your own hut from bamboo, coconut husks; to put a few bricks, make a fire, and cook your dinner on that fire under the stars every night,” he tells Rolling Stone India. “I know that life and the songs definitely have their roots in that.” There was a “simplicity” in that, gathering around the hippies who populated Auroville, as well as villagers. “It was a fire every night, with the music and friends,” he says. Founded in 2006 — a good decade after McKenzie began running Solitude Farm, an organic-focused café and farm — Emergence now have four albums and several achievements to their name, including playing Glastonbury Festival in 2009. Past members have included virtuoso artists like French bassist Mishko M’ba, and the nine-track Cage features bassist-producer and guitarist Dhani Muniz, trumpeter Edmund Held, drummer Joey Van Leeuwen, plus co-production, synth, and percussion by Navneeth Krishnan. Violinist-composer Karthick Iyer is also credited for “So Full,” a trippy, downtempo-turned-urgent tune. It features Tamil vocals by Snigdha Sharma but also sees McKenzie – who studied at the J. Krishnamurti School in Hampsire – dive deep into the core of Cage with lyrics like “The ancient urge to change oneself no longer can be found on pages of old books.” Speaking about the track, he says, “I wrote on the back of a very devastating love story. There were years of real deep introspection. Until you go into yourself, you won’t go beyond yourself. These songs are definitely a cathartic and healing thing for me.” Emergence in 2025. Photo: Courtesy of the artist The album’s opening track, “Ballad Of The Open Road,” was written by Auroville-based beat poet Roger Harris and sets the tone for an album with songs that gradually build up in tempo and mood rather than anything too jarring. It is perhaps a reflection of McKenzie’s approach to farming – to gently nurture a sound that starts off in pop songwriting and is fertilized by layers of jazz. McKenzie credits Dhani Muniz as a key collaborator for this sound, even remarking that he and Muniz’s dad were in a band a few decades ago. “All the stories behind these relationships and how things have grown, I guess you can hear it [in the songs],” McKenzie says. At the end of Cage, the mood lightens with “Carla’s Song,” in which McKenzie sings about love, “happiness without reservation,” and self-belief over a raw demo-like production treatment. He says, “Carla was a girl I had a little love scene with, she was just a very sweet and beautiful person. I remember walking down from my house, going to see this girl, and this incredible piece [of music] descended on me.” In the Instagram age, more people know McKenzie for his Reels and Tamil than older indie music fans who remember him from Emergence, as well as their festival, Lively Up Your Earth, hosted at Solitude Farm for more than a decade now. “It’s not been strategic,” he says about accruing over 560,000 Instagram followers who come for his food tips, recipes, plant facts, impeccable Tamil, and colored turbans. He explains, “About 20 years ago, I guess I had a really deep perception that the local foods that grow around us are the foundation of a culture.” McKenzie firmly believes that when people forget their local foods, they begin to lose their local culture as well. “You can see it’s happened in England, or, you know, or America, and then you have a fragmented society. So that sort of narrative became very clear to me, and the solution to that became very authentic, in the sense of what we’re doing at Solitude with farm-to-plate,” he adds. Much like his approach to creating content around sustainable living and eating, McKenzie says he never actively sought recognition as a musician, even with Emergence. They’ve had some recognition along the way, but have often been forgotten in the digital age, despite having three albums before Cage, including Here I’m (2008), Chosen By God (2010), and Can You Record Me (2017). There’s a possible tour in the works to promote Cage. McKenzie says, “It’s not easy because clubs and budgets and all that. But we’re trying to put that together and actually working on some new singles already.” Read More

Entertainment “We’ve all got very different opinions,” actress says. “I hope that we can all find respect” Keira Knightley attends Paris Fashion Week on July 8, 2025. Stephane Cardinale – Corbis/Corbis via Getty Images Keira Knightley said she “was not aware” of the call for a Harry Potter boycott over J.K.Rowling’s anti-trans statements prior to her joining the voice cast for Harry Potter: The Full Cast Audio Editions. In an interview with Decider, the interviewer noted that the actress is voicing Professor Umbridge for Pottermore Publishing and Audible’s Harry Potter audiobooks and asked if she knew that some fans have called for a Harry Potter boycott. “I was not aware of that, no. I’m very sorry,” Knightley told the outlet. “You know, I think we’re all living in a period of time right now where we’re all going to have to figure out how to live together, aren’t we? And we’ve all got very different opinions. I hope that we can all find respect.” Rowling has for years approved of or has made repeated transphobic comments, which have drawn criticism from both Harry Potter fans and actors, including Emma Watson and Daniel Radcliffe, alike. In an interview with On Purpose With Jay Shetty last month, Watson explained how she navigates valuing her time spent with Harry Potter creator J.K. Rowling despite the author having publicly denounced her and Radcliffe for standing against her anti-trans stance. “I really don’t believe that by having had that experience, and holding the love and support and views that I have, means that I can’t and don’t treasure Jo and the person that I had personal experiences with,” Watson said. “I will never believe that one negates the other and that my experience of that person, I don’t get to keep and cherish. I just don’t think these things are either/or.” Watson added: “It’s my deepest wish that I hope people who don’t agree with my opinion will love me and I hope I can keep loving people who I don’t necessarily share the same opinion with.” Following Watson’s nuanced look at their relationship, J.K. Rowling responded by lambasting the actress as “ignorant.” In a lengthy post on social platform X, Rowling dismissed Watson’s account. “Like other people who’ve never experienced adult life uncushioned by wealth and fame, Emma has so little experience of real life she’s ignorant of how ignorant she is,” the author wrote.  Rowling did acknowledge that she’s “not owed eternal agreement from any actor who once played a character I created,” calling that idea “ludicrous.” She added: “Emma Watson and her co-stars have every right to embrace gender identity ideology. Such beliefs are legally protected, and I wouldn’t want to see any of them threatened with loss of work, or violence, or death, because of them.” From Rolling Stone US. Read More

Entertainment Bollywood actress Esha Deol has been officially announced as the Brand Ambassador for the Handball Pro League (HPL), which is set to take place in Nagpur in February 2026. Esha Deol becomes face of Handball Pro League 2026 A former state-level handball player during her school years, Esha brings a personal connection and genuine passion to her new role. Her appointment aims to boost visibility and enthusiasm for the sport across India, particularly among young athletes and women. The Handball Pro League, which continues to grow in popularity, is gearing up for an exciting new season featuring top national and international talent. With Esha Deol’s involvement, the organizers hope to inspire more youth participation and spotlight handball as a fast-paced, dynamic sport deserving of greater recognition. The league’s Nagpur edition promises to be a celebration of energy, athleticism, and sporting spirit — perfectly reflected in Esha Deol’s vibrant association with HPL. Also Read: 18 Years of Darling: Esha Deol on RGV, Fardeen Khan, and playing a ghost with a wicked streak BOLLYWOOD NEWS – LIVE UPDATES Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2025 and stay updated with latest hindi movies only on Bollywood Hungama. Read More

Entertainment When Annu Kapoor holds court, expect fireworks! The veteran actor’s latest razzle-dazzle isn’t from a film, but from his laugh-out-loud comments about Tamannaah Bhatia and her sultry track ‘Aaj Ki Raat’ from Stree 2. His hilarious, tongue-in-cheek observations have sent netizens into a tailspin—and for good reason! Annu Kapoor speaks about Tamannaah Bhatia’s ‘milky body, face”; REACTS to ‘Aaj Ki Raat’ viral remark: “Even a 70-year-old child can fall asleep” Kapoor wasted no time poking fun at Tamannaah’s viral statement that mothers sing the song to put babies to sleep. Leaning into his trademark wit, he fired back, “How old do children fall asleep? Even a 70-year-old child can fall asleep! Look at this.” He then doubled down, playfully musing, “In English, they say, ‘he is 70 years old.’ I am a 70-year-old child; someone can be an 11-year-old old man. So who falls asleep?” Without missing a beat, Kapoor showers Tamannaah with a blend of playful praise and mischief, “Sister Tamannaah Bhatia, with her song, or with her milky face and body, if she is making our children sleep sweetly, it’s very good, man… It will be a great blessing for this country that our children sleep sweetly and healthily.” It’s the kind of comment only the legendary Annu Kapoor can get away with. Just when you think he’s finished, Kapoor adds a sweet kicker, “If they have any other wishes, may God give her (Tamannaah) the capability, may she get blessings so that she can fulfil their wishes. This is my blessing for them.” If there’s one thing the internet agrees on, it’s this: Annu Kapoor doesn’t just comment—he creates viral moments. With one “milky body” joke and his signature flair, he’s put both Stree 2 and Tamannaah Bhatia slap bang at the centre of online pop culture. Also Read: Tamannaah Bhatia reveals ‘Ghafoor’ was shot in just one day; calls Aryan Khan “super clear” BOLLYWOOD NEWS – LIVE UPDATES Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2025 and stay updated with latest hindi movies only on Bollywood Hungama. Read More

Entertainment Miss World Manushi Chhillar and Diljit Dosanjh are setting screens on fire with their latest collaboration, a music video like never before. And the newly released teaser is proof of the magic they create together. The visuals showcase undeniable chemistry, striking energy, and a pairing that feels both unexpected and instantly captivating. The teaser of ‘Kufar’ from Diljit Dosanjh’s upcoming album Aura dropped this morning, and it hits right out of the park, with a never-before-seen pairing between Manushi and Diljit, as the Miss World extends her artistic intent to a new space, blending global appeal with local resonance. The collaboration also marks a new phase in Manushi’s creative journey, one that continues to evolve with each project. Manushi Chhillar teams up with Diljit Dosanjh for “sexy dance” number ‘Kufar’, teaser out! Watch The song teaser offers a glimpse of Manushi in a completely new light – an uber sexy avatar we’ve never witnessed on screen before. From sultry close-ups that capture her smouldering intensity to sequences featuring her in a shimmering orange crop top paired with denim, Manushi commands attention in every frame that she graces. She takes being glam to the next level with ‘Kufar‘, exuding confidence and boldness as she matches Diljit’s swagger, step for step, in a dimly lit, vintage bar setting complete with chandeliers and an undeniable old-school charm. Manushi took to her socials to share the teaser and CONSIDER US TEASED. She penned, “Well…I tried something new” The chemistry between Manushi and Diljit, combined with their shared charisma, brings an effortless energy to the screen. It feels both cinematic and global in scale. The teaser showcases the duo in a series of visually stunning moments, where Manushi’s transformation is on full display. For Miss World, this collaboration is more than just a music feature. It represents her desire to diversify her artistic portfolio, to explore formats that allow her to connect with audiences in fresh and dynamic ways. As the teaser continues to generate buzz, it reaffirms what 2025 has already made clear – Manushi Chhillar is redefining herself with every project – taking creative risks, delivering powerful performances and carving her own path with a fearless, focused determination. 2025 has truly been her year, with acclaimed performances in Maalik and Tehran. Manushi has brought to the forefront her willingness to take on roles that challenge her and allow her to grow as an artist. And her latest collab with Diljit Dosanjh is no different. The song will be released on October 15, 2025. Also Read: Manushi Chhillar’s AMA: Stress-busting hacks, dream superpower & love for Rajkummar Rao BOLLYWOOD NEWS – LIVE UPDATES Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2025 and stay updated with latest hindi movies only on Bollywood Hungama. Read More