Entertainment

Entertainment Home News and Gossip Did Awez Darbar cheat on Nagama Mirajkar? Shubhi Joshi REVEALS this about Bigg Boss 19 contestant Bigg Boss 19 contestant Awez Darbar has been embroiled in controversy after allegations of cheating on his girlfriend, Nagma Mirajkar. Shubhi Joshi revealed the whole event. Awez Darbar and Nagma Mirajkar have been together for years. Both are currently in the Bigg Boss 19 house, and therefore their wedding has been postponed for the time being. A few weeks ago, Awez proposed to Nagma for marriage. Amidst this, he started getting accused of cheating. Now Splitsvilla contestant Shubhi Joshi has indirectly made serious allegations against Awez in an interview. Entertainment What did Shubhi Joshi say about Awez Darbar? Shubhi Joshi told in an interview to Filmigyaan that she was dating a boy after Splitsvilla 15. When asked if this boy is now in Bigg Boss, she agreed. Shubhi said that the boy himself went ahead and impressed her and repeatedly expressed that she is special to him. There was a deep connection between the two and they had made it clear that they liked each other. According to Shubhi , “He used to say things like- ‘you are special’, we were very clear that we like each other and we are developing feelings, he kept leading me on. He was the one putting in all the effort and not me.” Shubhi further revealed that once she went on a drive with her friend. The same friend told her that the boy was constantly messaging her too and asking to meet. When Shubhi asked her special friend to show the messages about this, the truth came out. After this, when Shubhi questioned the boy, he made an excuse and said that he knew that their relationship would not move forward, so he deliberately messaged her friend to hurt her. Recalling the boy’s words, she said, “He told me- ‘I deliberately texted your friend because it wasn’t working out between us, so I wanted to hurt you so that you feel bad about it.” Hearing this statement, fans believed that Shubhi was directly pointing towards Awez Darbar. Entertainment What did netizen say? As soon as this video went viral on social media, people started reacting. Some users accused Awez Darbar of cheating on Nagma Mirajkar, while some trolled Shubhi . They said that Shubhi is creating controversy only to get an entry in Bigg Boss. One user wrote, “Why were you silent until I went to Bigg Boss?” While another commented, “This is a new way of auditioning for Bigg Boss.” Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More

Entertainment Salman Khan, the Bollywood superstar, has never tied the knot, but his romantic life has been quite the subject of interest. Read on to know more. 1/7 Entertainment Salman Khan alleged relationship with Bollywood actresses Bollywood superstar Salman Khan has always been in the news for his films and personal life. In the 90s, his name was linked with many other actresses along with Aishwarya Rai. One of these names was Somi Ali. 2/7 Entertainment Salman Khan and Somi Ali relationship Somi and Salman’s relationship often made headlines. Many times Somi herself has also spoken openly about this relationship. Recently, in a conversation with Hindi Rush, a senior journalist Pooja Samant narrated the story about the two, which shocked everyone. 3/7 Entertainment When did Salman Khan and Somi Ali meet? During the conversation, Pooja also spoke openly about the relationship between Salman and Somi Ali. Their story started when Somi Ali came to the industry, she was a very good friend of hers. At that time Somi used to live on rent, but later her father bought a flat for her. 4/7 Entertainment How did Salman Khan and Somi Ali relationship start? Pooja Samant said that Somi Ali once told her that she loves Salman Khan very much. However, she was always confused about whether Salman loved her or not. Somi had also said that sometimes she was afraid of Salman’s anger, because his nature was very irritable and angry. 5/7 Entertainment Salman Khan hitting incident with Somi Ali Not only this, Pooja Samant also mentioned the incident in which it was said that Salman Khan broke a bottle on Somi Ali’s head. According to the journalist, this incident took place in a restaurant bar. Somi was drinking a cold drink with her friends there. Then Salman reached there and angrily picked up the bottle and hit Somi on the head. 6/7 Entertainment Did Salman Khan hit Somi Ali? In an interview, Somi had said that Salman Khan is very possessive. He has a very controlling nature towards her. But, she later clarified the whole matter and called the incident of breaking the bottle a complete rumour. Somi said that if the bottle had really been hit on her head, she would have gone straight to the hospital. Nothing like this ever happened. 7/7 Entertainment What happened to Somi Ali that night? Telling the real story, Somi said that that day she had tried alcohol-mixed cola for the first time. She found the taste of the drink strange, so she spilled the glass of rum-cola on the table. Because of this, people got the misconception that Salman broke the bottle on her head. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Entertainment Subscribe Now Read More

Entertainment Uniting voices from music, comedy, gaming and lifestyle, YouTube Fanfest 2025 showed how creators are shaping India’s cultural and entertainment landscape. The NSCI Dome roared as YouTube Fanfest 2025 unfolded into a living, breathing celebration of entertainment and fandom culture. For one night, India’s biggest creators weren’t just behind the screen but on stage, proving the event’s tagline true: the stage is yours. This year’s lineup featured the  who’s who of the creator economy, ranging from Sanju Rathod, Aaditya Kulshreshth, Payal Gaming, GamerFleet, Lisa Mishra and RJ Karishma, to name a few. Architects of a new kind of fame, they are pioneering both short-form virality and long-form storytelling. Together, they embodied India’s “orange economy,” a digital ecosystem rewriting the rules of entertainment. With 2.5 million active creators across cities and small towns, India has become one of the fastest-growing creator communities globally. And YouTube, with 460 million users in India, is its beating heart. For these stars, fan funding, virtual gifting, and brand partnerships were only part of the business. What mattered most was authenticity, the ability to connect with audiences, whether through a 30-second clip or a 30-minute set. Among the standout voices at this year’s Fanfest was Marathi pop sensation Sanju Rathod, known for hits like “Shaky” and “Gulabi Saadi.” During rehearsals, he previewed his upcoming track “Sundari,” confidently rating it “a solid 10/10.” For Rathod, music and content are inseparable in today’s creator economy. “When I’m conceptualizing a sound, it’s always a combined audio-visual effort—one cannot exist without the other. He noted how musicians, who were previously associated with just playback singing, are now on the center stage, amplifying their voice and identity via ever-changing social media platforms. YouTube Shorts, he added, had been key to reaching wider audiences: “It is heartwarming to see children and grandparents both enjoy my music.” His story mirrors that of a generation raised on YouTube—drawing early inspiration from Honey Singh, experimenting with mix-mastering, and learning production through trial and error. “Time shows its flaws, and one must learn from them as creators,” he reflected, crediting those lessons for his current success. On the comedy flipside was stand-up comedian, writer and actor Aaditya Kulshreshth—better known online as “Kullu” or “Writer OP.” Over the years, he has carved out a persona as the internet’s quirky younger cousin, narrating his offbeat adventures with a mix of warmth and mischief. For him, the formats may change, but the goal remains the same: to create a sense of belonging, mirroring the comfort of hanging out with friends. “Even with formats like Tanmay Reacts, there’s always an effort to provide happiness, even if it be through short-form content,” he said. In a media landscape often defined by the male and female gaze, Kullu has embraced what he calls the “friendly gaze,” drawing in audiences as varied as ghazal enthusiasts and cricket fans. A decade into his stand-up career, his comedy has grown alongside his community. “Our audiences are looking for glimmers of escapism, something that puts a smile on their face. If I could be that outlet, then I believe I’ve done my part,” he reflected. When it comes to the business of comedy, Kullu is quick to credit the tightly knit support system among comics. “As comics, we lend accessibility of resources to one another. I can reach out to my peers to discuss anything—from ticket sales for specials to monetization tips. Some of the finest people, who also happen to be fans of the craft, are well-versed in the business and our temperament.” His expectations extend to the larger creator ecosystem as well. “It’s great where it’s at right now. However, we as creators need to up our game. However much we deny it, we are opinion shapers, and that responsibility of delivering well-informed content lies with us. Knowing is power, and it’s pivotal in nurturing our dynamic with our audience.” Lisa Mishra, who first began uploading covers to YouTube back in 2007, approaches her journey with nuance. “I view being a creator and an artist through the same lens. The process of creating, be it scripting, acting out a bit—is your idea, your intellectual property, making you the artist,” she said, challenging the assumption that musicians spend all their time locked in studios. For her, experimenting with short-form visual content is as much about honing artistry as it is about reach. At the same time, Mishra acknowledged how identities can blur in the creator economy. “There’s a third descriptor, the elephant in the room that kind of separates being a creator or an artist: influencer,” she said. Her fans have grown alongside her, watching her evolve from singing onstage to  on-screen roles in Call Me Bae and Royals. “The audience today also has autonomy of buying into this intimate process. Having a fanbase necessarily does not end up with a by-product of fame. They get to choose their heroes.” She is quick to empathize with audiences’ short attention spans: “I have poor attention span myself. Making microcontent not only reduces your timelines as a creator, but improves your overall efficiency.” What once involved writing, composing, and mixing a single song has become a process of testing snippets, releasing shorter pieces, and offering audiences more access in real time. On technology, she remains pragmatic. “As long as we’re not using it to replace human behavior, we’re good. I personally use AI to simplify processes, break down administrative stuff or technical jobs, that I am not the expert at. It shouldn’t be doing the creation or creative thinking for you.” The gaming world at Fanfest was also represented by two of India’s most popular names: GamerFleet (Anshu Bisht) and Payal Dhare, better known as Payal Gaming. Dhare, one of the country’s top female gamers, thrived on versatility, be it through cosplaying characters from Arcane or creating beauty and lifestyle content. She credited her adaptable nature and team of editors for tailoring short-form videos with hooks and CTAs that worked seamlessly on YouTube Shorts. “Through

Entertainment If the music industry wants a future full of headliners, it must start by paying its opening acts today One of the music industry’s worst-kept secrets is that opening acts are rarely paid fairly. Across clubs, festivals, and even international tours, younger artists are expected to perform for little or nothing, with the promise of “exposure” dangled as compensation. It’s a global problem, but in India—where protections are virtually nonexistent—the practice is especially damaging. In 2024, The News Minute reported how independent bands and musicians across India continue to struggle in ticketed concert markets, often playing to half-empty venues despite the frenzy that surrounds global acts like Coldplay. That gap highlights a central truth: exposure does not automatically translate into career growth or financial security. For many opening acts, these unpaid or underpaid slots create more strain than opportunity. The pattern is consistent across India’s live music economy. Everyone else in the chain—the headliner, promoter, venue, sponsors, and crew—is compensated for their work. Opening acts are the exception. They rehearse, travel, and perform, but often walk away with very little or nothing. The assumption is that they are “lucky” to share a bill, when in reality, they are subsidizing the industry with unpaid labor. This imbalance mirrors wider trends in the Indian music ecosystem. Session musicians and backing vocalists—the invisible hands behind chart-topping songs—are still not receiving royalties or credit, even though their work drives commercial hits. Business Standard reported earlier this year that “many session musicians in India still fail to receive royalty and credit.” A June 2025 Radio & Music piece echoed the same concern, noting how unsung hitmakers behind Bollywood and Punjabi blockbusters remain unpaid. If even proven contributors to hits are being undervalued, it is little surprise that opening acts are expected to work for free. Meanwhile, the broader money flow is undeniable. The Indian Performing Right Society (IPRS) reported a 42% jump in collections in FY 2024–25, crossing ₹700 crore in performance royalties. Clearly, there is money in the system—the question is how it is distributed. The fact that opening acts still walk away unpaid shows just how skewed priorities are. Globally, the situation is a little better. In the U.K., the Musicians’ Union publishes recommended minimum rates—£189.55 for a single gig in a venue under 200 capacity, plus rehearsal pay—but grassroots musicians often report being offered far less. A London School of Economics study found jazz musicians across London and Paris were still regularly exploited through low pay and unstable contracts. Even in developed markets, opening acts remain the most precarious link in the chain. This is why the idea of a minimum wage for live performances is overdue. It doesn’t have to be extravagant nor uniform across continents, but there should be a baseline under which fees cannot fall. Whether it’s ₹10,000 for a club slot in India or £150 in a UK pub, a minimum wage would recognize that building a career takes time and precision—but musicians still need to pay rent along the way. There are workable ways to implement it. Promoters could allocate a small percentage of ticket sales to every act on the bill, not just the headliner. Sponsors could earmark a portion of budgets for supporting talent, reframing it as cultural investment. Venues could bundle minimum artist payments into bar sales, ensuring that even small nights don’t leave openers unpaid. Ticketing platforms like SkillBox, District, and BookMyShow could build minimum artist fees into their registration systems. None of these solutions are radical—they are adjustments that reflect professionalism. The counterarguments are familiar: margins are thin, tickets are underpriced, and audiences are still developing. But those arguments don’t justify unpaid work. If young artists cannot afford to sustain themselves, the pipeline of future headliners dries up. India’s indie and hip-hop waves of the past decade produced dozens of promising names, but many disappeared due to financial instability long before they reached their peak. Globally, the attrition rate is similar. When only the privileged can afford to work for free, diversity suffers and the industry’s future shrinks. Change will require more than goodwill. Artists need to feel empowered to demand fair compensation instead of accepting “exposure” as a default. Managers must set minimum expectations and refuse deals that undercut them. Promoters and festivals need to see compensation not as charity but as an investment in their own ecosystems. And industry bodies—from IPRS in India to unions abroad—must publish baseline guidelines, just as the U.K.’s Musicians’ Union does. Transparency alone would give young acts leverage in negotiations. Let’s be honest here, exposure doesn’t pay the bills. Until the music industry accepts this and institutes a minimum wage for performers, opening acts will remain the most undervalued workers in music. And with every artist priced out of their own career, the future of live music gets smaller. Read More

Entertainment While the Irish actor wished “good luck to whoever is going to fill those shoes,” all he knows is that it won’t be him Cillian Murphy on Sept. 5, 2025 in Toronto, Ontario. Tommaso Boddi/Getty Images Cillian Murphy isn’t taking up the mantle as Voldemort in the Harry Potter series currently in development at HBO. During a recent appearance on Josh Horowitz’s Happy Sad Confused podcast, the actor denied that rumors of him taking the role of the villain have any credibility. “I don’t know anything about that,” Murphy said, noting that his kids have shown him the rumors on occasion. “I mean, also, it’s just really hard to follow anything Ralph Fiennes does. The man is an absolute acting legend. So, good luck to whoever is going to fill those shoes.” The upcoming reboot television series will be directed by Mark Mylod with Francesca Gardiner as showrunner. So far, Dominic McLaughlin, Alastair Stout, and Arabella Stanton have joined the cast in the respective roles of Harry Potter, Ron Weasley, and Hermoine Granger. John Lithgow will play Dumbledore, while Janet McTeer joins as Minerva McGonagall, Paapa Essiedu as Severus Snape, and Nick Frost as Rubeus Hagrid. Earlier this year, Lithgow defended his decision to take the role despite anti-trans rhetoric from author J.K. Rowling, who is an executive producer on the show. “Of course, it was a big decision because it’s probably the last major role I’ll play,” he said. “It’s an eight-year commitment so I was just thinking about mortality and that this is a very good winding-down role.” In May, HBO chief content officer Casey Bloys told The Town podcast, “The decision to be in business with J.K. Rowling is not new for us. We’ve been in business for 25 years … We already have a show on HBO from her called C.B. Strike that we do with the BBC. It’s pretty clear that those are her personal, political views. She’s entitled to them. Harry Potter is not secretly being infused with anything. And if you want to debate her, you can go on Twitter.” From Rolling Stone US. Read More

Entertainment The LP will be released on Sept. 26 Doja Cat at the MTV Video Music Awards 2025 held at UBS Arena on September 07, 2025 in New York, New York. Gilbert Flores/Billboard Doja Cat had barely left behind Scarlet before diving into her latest release. The Grammy winner made a more rap-focused project with her fourth LP, moving on from the lighter pop and R&B flavor of 2021’s Planet Her. The pivot paid off, becoming her third Top 10 album and garnering rave reviews from critics and longtime fans alike. But Doja Cat is not one to do the same thing twice. She’s got a brand new sound and look for Vie. Ahead of its September 26th release, here’s everything we know about the new album. She’s back to pop As listeners can hear on her lead single “Jealous Type,” Doja Cat is back to the pop sound that helped her break through. “I do want to be self-aware enough to admit the fact that this is a pop-driven project,” she told V in an interview this summer. “I know that I can make pop music, and pop is just that it’s popular. It starts to become a bit of a thing that’s viewed as a sport by people who are just bystanders to it, who enjoy it, but maybe also don’t respect it or what it is, which is just music. There are some people who don’t see it as music. They see it as if this is some kind of football for girls and gays.”  This news came as a surprise to her listeners: Back in 2023, she called her own pop music “mid & corny” and tweeted that she was done with the sound. “No more pop music,” she wrote at the time. The Eighties are a big influence on Vie Doja Cat is not an Eighties baby but she’s certainly pulling out some deep references to that decade in her rollout. The album’s campaign and editorial aesthetic has made references to everything from classic Grace Jones images to hair metal vixens. During her VMA performance, she transformed into Max Headroom, the computer-generated TV presenter. “I have so many things that float around in my brain when it comes to the Eighties” she told V. “I have no experience of the Eighties or any relation to it in that sense…I wanted to play with that nostalgia by using these Lo-Fi sounds and samples and things that reminded you of something from your childhood, but it wasn’t on the nose Eighties.” Jack Antonoff produced the album What better modern producer to call for an Eighties-inspired album than Jack Antonoff? Doja Cat linked up with him for Vie and sang his praises in a recent interview with Zane Lowe. “I’m working with Jack Antonoff and working with a person that’s new in my life,” she said. “And so it’s the grappling with talking about something personal and creating something fresh, and then getting to know someone new, and then all of these things fell together really naturally. He’s been such a wonderful person to work with. The album revolves around romance On the album cover, Doja Cat’s face is surrounded by roses. It’s a romantic image for a reason: Love in all forms inspired the lyrics on Vie. “The concept is very pointed towards love, romance, and sex — and discourse in relationships,” she told Vie. “I think right now, you hear a lot of songs about breakups, and a lot of songs about how we’re just kind of sick of men. I have a song like that on this album. But the thing is, there are so many ways to talk about that feeling — like, ugh, men. This album is very much about love in a way that reflects how I want it to be in the future — my hope, my hopefulness. What I hope it could be. Because I remember there was a time when people were talking about wanting to be with each other, and it seems to have gotten a bit more vapid and just sort of like, not real… not loving, not romantic.” The catchy, sexy lead single “Jealous Type” evokes Prince and his many female protégées like Apollonia or Vanity. On it, she sings and raps about her own jealousy and impatience with how a relationship is progressing. On Instagram Live as well as X posts, she further teased lyrics to songs like “Acts of Service” and “Lipstain” where she says she’s deleted Raya and that a partner has given her keys to their flat. From Rolling Stone US. Read More

Entertainment From catching the latest releases in Chennai’s theatres as a young film enthusiast to fine-tuning the sonic atmosphere of films in Los Angeles studios, Karthik Mohan MPSE has travelled a unique path shaped by passion, precision, and persistence. What started as a college-level curiosity about muffled dialogues in short films has grown into a diverse international career in cinematic sound design. A turning point came when Karthik, inspired by Kamal Haasan’s Uttama Villain, began exploring the finer details of sound. His fascination deepened after attending a masterclass by Oscar-winning sound designer Randy Thom of Skywalker Sound. Karthik later enrolled at Chapman University in California to pursue his MFA – Film Production with a sound design emphasis, where he developed technical fluency in Dolby Atmos workflows, Izotope Rx among other key tools in modern sound workflows. His early work on Las Escondidas earned him a nomination for the Verna Fields Golden Reel Award, a recognition presented by the Motion Picture Sound Editors (MPSE), a global association for accomplished sound professionals. Since then, Karthik has contributed to feature films and documentaries across multiple languages and cultures, with releases on platforms such as Netflix, Amazon Prime Video, Hulu, AMC+ and The Roku Channel. His work has been part of films featured at Festival de Cannes, Tribeca, and SXSW among other prominent film festivals around the globe. Among his prominent credits is Jawan, starring Shah Rukh Khan, the highest-grossing Indian film of 2023, released in over 10,000 screens globally and in immersive formats like IMAX, ICE and 4DX. Jawan was the sole Indian film nominated at the Astra Awards 2024, hosted in Los Angeles by the Hollywood Creative Alliance. He has also worked on Mahaan, an action feature starring Vikram, the Amazon Prime survival drama The Girl on the Mountain and multiple festival hits like Paper Flowers, Four Samosas, Max Dagan among others. More recently, Karthik served as sound effects editor for the Netflix film Test starring R. Madhavan, Siddharth and Nayanthara and as supervising sound editor for the documentary Zzaslow K-427, which premiered at the landmark TCL Chinese Theatres in Los Angeles in 2025. Now a voting member of the MPSE, Karthik continues to explore sound as a storytelling tool. “I like to think of every new film as an unexplored world of sound,” he says. With more projects on the horizon, his journey is only expanding with no signs of slowing down. Read More

Entertainment Home News and Gossip Ragini MMS Returns actress Karishma Sharma JUMPS OFF moving train, sustains injuries in…; hospital… Karishma Sharma says that she made the decision to go in a saree and tried to catch the train quickly. She said that her choice to leap was driven by panic after her friends were unable to board the train. Actress Karishma Sharma, who starred in Pyaar Ka Punchnama 2 and Ragini MMS Returns, suffered severe injuries after jumping from a speeding train in Mumbai. The incident raised worries about commuter safety, and she is rushed to hospital and is currently under observation. She was traveling to Churchgate for a shoot when the tragedy happened. On her Instagram Story, Sharma posted details of the occurrence, informing followers of her hospitalisation. Entertainment Painful fall while trying to catch train Sharma says that she made the decision to go in a saree and tried to catch the train quickly. She said that her choice to leap was driven by panic after her friends were unable to board the train. She landed on her back and was hurt as a result. According to the actor, it was a really difficult incident. Entertainment What did Karishma post? In her Instagram story, Sharma explained: “Yesterday, while going for a shoot at Churchgate, I decided to catch the train wearing a saree. As soon as I boarded the train, its speed increased, and I saw that my friends were unable to board. Out of fear, I jumped and fell on my back, which caused a significant injury to my head (sic).” Entertainment Karishma hospitalised with head, back injuries Sharma reported of back ache, head swelling, and body bruising. She is being watched in the hospital for one day after doctors recommended that she get an MRI to rule out severe brain trauma. She further shared: “My back is injured, my head is swollen, and there are bruises on my body. Doctors have advised an MRI to check if the head injury is serious. I have been kept under observation for a day. I have been in pain since yesterday, but I am staying strong. Please pray for my speedy recovery and send me your love (sic).” The actor’s close friend shared a message from the hospital, emphasising the shock that Sharma’s loved ones were going through. The friend wrote: “I can’t believe this has happened to Karishma. My friend fell from the train. She doesn’t remember anything. We found her lying on the ground and brought her here immediately. Doctors are still assessing her condition. Get well soon (sic).” Entertainment Karishma Sharma work front Regarding her work, Sharma has been in a number of movies, including “Fastey Fasaatey,” “Super 30,” “Ek Villain Returns,” and others. She also appeared on television for a while, appearing in shows like “Pavitra Rishta,” “Yeh Hai Mohabbatein,” “Pyaar Tune Kya Kiya,” and others. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More

Entertainment Home News and Gossip Karisma Kapoor REJECTED Sunjay Kapur’s offer of Portuguese citizenship for THIS reason? Karisma Kapoor’s ex-husband Sunjay Kapur passed away on June 12, 2025. A few months after his demise, the battle over inheritance of his massive estate has reached court. Karisma Kapoor is in the news because of the inheritance battle over ex-husband Sunjay Kapur’s vast empire. Karisma Kapoor and Sunjay Kapur’s kids – Samaira and Kiaan – have moved to court alleging that Priya Kapur (Sunjay Kapur’s third wife) forged his will to cut them out of the inheritance. As the court agreed to hear the case, a lot of details came to fore. It was also being reported that Karisma Kapoor and Sunjay Kapur were in contact with each other through WhatsApp and allegedly there were plans to seek Portugese citizenship for their kids. However, the latest reports suggest that Karisma Kapoor rejected the offer to be a Portuguese citizen. What does lawyer Mahesh Jethmalani has to say about Sunjay Kapur’s move for Portuguese citizenship? Now, Karisma Kapoor‘s kids’ lawyer Mahesh Jethmalani has shed some light on this new development of Portuguese citizenship. In a chat with Republic World, Mahesh Jethmalani revealed that Karisma Kapoor ultimately rejected the idea of of giving up Indian citizenship. Reportedly, Sunjay Kapur informed her that Indian government does not grant dual citizenship. He was quoted saying, “She was told that she would have to give up Indian citizenship if she took up Portuguese citizenship, and she refused.” He also added that Sunjay Kapur’s move for Portuguese citizenship for children casts suspicion on the will. Further, he explained that Sunjay Kapur could be considering Portuguese citizenship for his children in order to save them from inheritance tax. But the timing of it raises suspicion. Mahesh Jethmalani was quoted saying, “But certainly, he was toying with the idea of Portuguese citizenship for his two children for the reason that properties overseas would be exempted from inheritance tax and all 3 of his kids – one from Mrs Priya Kapur and two from Karisma Kapoor – all three of them would be saved from inheritance tax because Portugal doesn’t have an inheritance tax regime. So, if in May 2025, you are trying to create citizenship for your children to avoid inheritance tax on overseas property, it is a little surprising that you had already executed a will in March 2025, in which all the overseas properties are devolved to Mrs Priya Sachdev and none to the children, so that’s a suspicious circumstance.” Reportedly, Sunjay Kapur’s empire is worth Rs 30,000 crore. Allegedly, at a family meeting held on July 30, Priya Kapur presented the will of Sunjay Kapur that was executed in March 2025. Priya Kapur has now been asked to list all the movable and immovable assets of Sunjay Kapur, by court. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More

Entertainment Home News and Gossip Mirai X Review: Teja Sajja’s performance WINS hearts, netizens call fantasy-adventure movie a ‘block… Teja Sajja’s Mirai has released in theatres today, September 12 and garnering mixed reactions. Here’s a look at its social media reactions. Mirai Twitter Review: Mirai, a fantasy action adventure film starring Teja Sajja, opened in theatres today, September 12. The film, which was directed by Karthik Gattamneni, has Manchu Manoj as the primary antagonist. Moviegoers have given their initial thoughts about the film as it has been released. Let’s see what the internet has to say about the movie. Entertainment Teja Sajja garners praise Teja Sajja, who gained popularity for his previous part in HanuMan, has been praised for his current role by fans who like his fierce action and on-screen persona. One critic on X (previously Twitter) went on to say that the movie is “Big-screen worthy” and that “Teja isn’t a one-time wonder; he is here to stay and surprise all if he keeps the same level of passion.” #Mirai – Ambition meets spectacle! Passable first hour, but the interval is a goosebumps blast. 2nd half pure visual high Hari Gowra’s score electrifies, Karthik’s frames stun Teja Sajja after HanuMan back-to-back fire! Blockbuster vibes. Just book your tickets! pic.twitter.com/tm1xq9GI5I — RJ Reviews! (@jaswanth3769) September 12, 2025 The actor’s performance has been described as fiery, as another internet user wrote, “Teja Sajja delivers a striking performance as Superyodha, with the interval bird sequence and post-interval fight standing out as highlights.” #Mirai A Must watch on big screens… ???? First half action and interval scene highlight. Teja Sajja performance vere level Second half lo hero extraordinary train fight. Climax peak stuff.. Overall blockbuster. ??? https://t.co/QVSb9rzys1 — Praveen_Chowdary9? (@Praveen4ntr_9) September 11, 2025 Entertainment Interval scene impresses fans An X user described the film’s intermission scene as “ambition meets spectacle.” They later said, “Passable first hour, but the interval is a goosebumps blast. 2nd half pure visual high.” Entertainment Storyline reveives mixed response While many are praising Mirai, not everyone was convinced by the film’s storyline, as one netizen pointed out the film’s positive and poor points. They praised the VFX and Manoj and appeared to like the film’s second half, saying, “Teja Sajja acting is artificial, comedy scenes are forced, and love track is awful.” #MIRAI – THE BIG-SCREEN EXPERIENCE YOU CAN’T MISS. Mirai roars on the big screen with Teja Sajja’s fiery performance, Manchu Manoj’s menacing comeback, breathtaking Sampathi visuals, and Hari Gowra’s thunderous music. A grand mix of action, emotion, and myth.#FlickPanda… — FLICKpanda (@IamFlickPanda) September 11, 2025 They also noted that, while the conclusion is intriguing, the story should have been crisper. Entertainment Manoj Manchu’s performance wins hearts #MIRAI – THE BIG-SCREEN EXPERIENCE YOU CAN’T MISS. Mirai roars on the big screen with Teja Sajja’s fiery performance, Manchu Manoj’s menacing comeback, breathtaking Sampathi visuals, and Hari Gowra’s thunderous music. A grand mix of action, emotion, and myth.#FlickPanda… — FLICKpanda (@IamFlickPanda) September 11, 2025 Manchu Manoj, the main villain, has been getting attention for his portrayal, aside from Teja Sajja, the protagonist. Tweets describing his performance as “menacing” and a “strong comeback” have been sent out by fans. One also called out Shriya Saran and wrote, “After a long time, Shriya gets a good role, and Teja Sajja shines with an excellent performance.” Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More