Entertainment

Apple TV+ LaKeith Stanfield (“Haunted Mansion”), Jason Clarke (“Dawn of the Planet of the Apes”), Sam Claflin (“Enola Holmes”) and Trevante Rhodes (“Moonlight”) have all signed on for the action thriller “F.A.S.T.” at Warner Bros. Pictures. “Yellowstone” creator Taylor Sheridan has penned the film, which will see Ben Richardson, the famed cinematographer turned director on Sheridan’s “1923” series, directing the project. Brandon Sklenar leads the cast of the film as a former special forces commando, down on his luck after he returns Stateside. He is tapped by the DEA to lead a black ops strike team against CIA-protected drug dealers in his town. The four new additions play a variety of roles in the movie, from former Delta Force colleagues to DEA agents. Juliana Canfield (“Succession”) also stars. Shooting kicks off later this month with Sheridan, Jenny Wood, David Heyman and Jeffrey Clifford producing. Sheridan previous penned such films as “Sicario,” “Hell or High Water,” and “Wind River” along with co-writing “Without Remorse”. Source: THR Read More

Warner Bros. Pictures Well, the rumour turned out to be right, DC Studios has officially announced that James Gunn’s “Superman” will arrive on Digital this Friday (August 15th), approximately 35 days after the film opened in cinemas. In addition, the film’s 4K UHD and Blu-ray release has been announced, with the movie arriving on disc on September 23rd. The release will include a one-hour making-of documentary, eight featurettes, director’s commentary, gag reel, deleted scenes, and the “Krypto Saves The Day” short. That hour-long documentary has also just been released on YouTube and can be seen below, within it are some costume test shots, including shots of David Corenswet in the costume but without any belt or trunks. Gunn previously discussed the debate that went on at the studio about Superman going trunkless, even Gunn himself wasn’t sold on the idea until Corenswet managed to convince him otherwise. The announcement comes as the film is nearing $600 million at the worldwide box office and is still going fairly strong domestically with $7.95 million this past weekend. Read More

Marvel A posting by actor Ryan Reynolds on Instagram this evening is melting down the internet, and it’s all to do with what the post suggests. The photo features the “Avengers” logo, with a red anarchy-style ‘A’ symbol painted over it. Reynolds has teased this symbol before in postings over the past 18 months, once wearing a cap with it. The symbol itself was previously seen adorning flags in “Deadpool & Wolverine”. In the wake of the posting, many on social media have taken this to mean that he’s suggesting Deadpool will appear in the “Avengers: Doomsday” movie at Marvel Studios. That project is currently a little past the halfway point in shooting. Reynolds has previously, and rather visibly, not been linked with the film, and neither has his co-star Hugh Jackman. Thus, the fandom is in a bit of a tizzy right now despite the symbol being no actual confirmation of anything. The posting comes as rumours are spreading of another wave of casting reveals coming soon. Meanwhile, scooper MyTimeToShineH is claiming that ‘Luke Cage’ was the codename used for actor Chris Evans on the set of the film. Evans is not officially announced as being in the cast at this point. Read More

Paramount Pictures Paramount Pictures still doesn’t seem to know what to do with the “Star Trek” franchise on film. We’re nine years removed from 2016’s “Star Trek Beyond” – the biggest gap ever between Trek movies since the films began with “Star Trek: The Motion Picture” way back in 1979, and there’s no sign of a new theatrical film in sight. We did get a new movie earlier this year with the direct-to-streaming “Star Trek: Section 31,” the Michelle Yeoh-led telemovie drawing some of the worst reviews for any film this year and by far the worst reviews for the franchise to date. On the actual big screen front, there’d been talk of a fourth film set within the Kelvin Timeline, but it doesn’t appear to have progressed. At one point, Quentin Tarantino famously planned an R-rated, gangster-themed Trek film before ultimately abandoning the project. Tarantino and Mark L. Smith got as far as writing a script, but the filmmaker then walked away from the idea after not wanting to end his ‘ten film plan’ with a franchise feature. One person who did apparently get to hear a breakdown of it is Simon Pegg, the actor who plays Chief Engineer Montgomery Scott. Appearing at Fan Expo Boston on Saturday, Pegg said J.J. Abrams and producer Lindsey Weber once walked him through the plot of Tarantino’s film. He explains to Collider: “That was what we call in the business bats–t crazy. It was everything you would expect a Quentin Tarantino Star Trek script to be. I think it would have been such an incredible sort of curio to see Star Trek through his lens. I don’t know how it would have gone over with the fans, but it certainly would have been an interesting thing.” The story was reportedly set to unfold on an Earth-like world stuck in a 1930s gangster era, akin to the “Star Trek: The Original Series” episode “A Piece of the Action” where the crew visits a planet modelled after mob culture. A rumor cropped up earlier this weekend that Tarantino’s next directorial effort would shoot this December, but the report has subsequently been shot down with Tarantino still said to be a long way from a working script. Read More

Entertainment After working together in pairs, the singer-songwriters and producer come together for the first time on the recent song ‘Gori’ Gajendra Verma, Aditya Rikhari and Ravator collaborate on the song “Gori.” Photo: Courtesy of the artist Hindi pop’s favorites Gajendra Verma, Aditya Rikhari and Ravator recently dropped their feel-good song “Gori,” hinting at more team-ups in the future. The song came about when Verma got together with Ravator one day at the latter’s studio. Ravator tells Rolling Stone India, “He composed a hook in 30 minutes. It was sort of a mumbled hook, but the one word that was evident was ‘Gori,’ so the idea started there lyrically.” Ravator wrote the lyrics in full, and while they were still contemplating the second verse, the producer sent it across to longtime collaborator Aditya Rikhari. “We had a blank verse, and we were very skeptical at first, but Aditya and I were working on a lot of tracks together, so I just sent it to him. Within three hours, we had the song. It was very in-the-moment,” Ravator says. Although it’s the first collaboration to involve all three artists, their previous projects have played around with a few combinations. Verma and Ravator have worked together on songs like “Adhoore Hum,” while Ravator and Rikhari recently delivered “Sajna Ve” (from the former’s album Sajna). On Rikhari’s album Jaana, Ravator was featured on the song “Sutta.” Earlier this month, Verma and Rikhari got together for a mashup of their hit songs to create “Mann Mera x Paro.” Rikhari’s advice for artists seeking collaborations is straightforward: “When you’re confident in what you bring to the table, collaboration becomes less about compromise and more about co-creation.” Verma adds, “I’d say: don’t try to outshine or match, just show up as yourself and trust the process.” As a producer, Ravator says he has a different role and outlook. He uses the instance of “Gori” and points to how Verma and Rikhari both have “very distinct voices and moods.” He adds, “So my role was more about blending their energies without diluting either. My advice is: don’t try to mold people into your sound. Instead, expand your sound to include their essence.” Ravator says the last six months have taken their vibe to a whole new level. The camaraderie is evident in the music video as well as in our interview with the trio, as Rikhari chimes in with playful commentary between Ravator’s responses, while Verma can’t stop laughing throughout. Verma reflects on how working on anything creative with friends is “always a delicate space, especially when you’re emotionally invested in both the friendship and the art.” Rikhari emphasizes on keeping the shared vision in mind. Ravator adds, “When you’re friends first, it’s easy to take things personally—or to avoid giving honest feedback. What’s worked for me is keeping the communication open and clear from day one.” In the video, the three artists are living together and find themselves smitten by a new neighbor, quickly becoming close friends who support her goal of becoming a fashion designer. Verma says it “wasn’t a lot of work” on set. Ravator adds jokingly, “We all wrapped our shots in one take, it was fun. Method acting.” Their process for future collaborations is to keep it as free-form and pressure-free as possible. “We always focus on the end result, and everyone gives their best inputs, and everyone accepts it, which is usually the toughest thing. I think in this case, it was different and, touchwood, it stays that way in our next work,” Ravator says with a laugh. Collaborations aside, on the solo front, Rikhari promises more “experimental tracks” this year but says he’s also keeping in mind that the touring season is coming up, so the songs will be crowd-friendly. “I have to think that way, ki which songs would people prefer to listen to on a large stage, that people would have fun singing along to.” Verma adds, “I’m working on new songs as usual, I hope it turns out good. I’m doing an album, maybe. I’m very keen on doing collaborations this year. I loved this one and I’m trying out more.” Read More

Entertainment A restored classic becomes a mirror for Gen Z’s career anxieties, as Guru Dutt’s centenary brings his film back into the spotlight When my editor sent me an invite to attend a 100th Birth Anniversary celebration in honor of Guru Dutt, I was more apprehensive than excited. How could I, a 22-year-old, chronically online individual, do justice to this legend? Jogging my memory, I recalled how my grandfather would repeatedly hum “Chaudvin Ka Chand”, excitedly rambling about his favorite actor’s anthology. I wish I’d paid more attention back then. Nevertheless, upon frantically reading up about the event, I learned that Ultra Media Entertainment Group, in association with NDFC-NFAI, is taking up this initiative to provide a nostalgic experience for cinephiles, fans, and moviegoers, making yesteryear classics accessible. A nationwide theatrical release of Dutt’s 4K, newly restored classics, from Kagaz Ke Phool to Aar Paar, would be available for everyone’s viewing pleasure. Checking the movie list for the event premiere, I saw that my fate had already been sealed with Pyaasa, one of Dutt’s most revered works to date. Even though I was utterly tempted to Google the premise and read spoilers, something urged me to surrender to the suspense. The poster lining all of Dutt’s works. Photo by Sharanyaa Nair Clumsily wading my way through the crowd, I was greeted by the familiar crackling voice of Mohammed Rafi, as “Chaudvin Ka Chaand” echoed through the speakers. A giant hoarding stood at the entrance, chronicling Guru Dutt’s standout films. For someone terrified about aging in this dystopian economy, it made me wonder: how would he have felt about a centenary celebration? Would he have been ecstatic or miffed about achieving such a milestone? Shoving these shower thoughts aside, I made it to my seat just in time for a panel discussion ahead of the film’s screening. The panel (L-R): Bhawana Somaaya, Javed Akhtar, R. Balki, Sudhir Mishra and Hansal Mehta/ Sharanyaa Nair As the production set up the lights, esteemed members of the film fraternity—Javed Akhtar, R Balki, Hansal Mehta, Sudhir Mishra, and Bhawana Somaaya—entered the hall. These weren’t just some of India’s most celebrated filmmakers, critics, lyricists, and writers, but avid admirers of the actor. This is where I got a glimpse of Dutt’s greatness. “We all are older than Guru Dutt”, Sudhir Mishra exclaimed, putting the abstractness of time into perspective. Dutt was certainly their lodestar. They discussed their first encounters with his works, tracing the intricacies of the late actor’s legacy in their creative trajectory. Director Hansal Mehta revealed that Kagaaz Ke Phool was his point of inspiration during his FTII days, so much so that he attempted to recreate the entire song sequence of the eponymous track. Similarly, R Balki mentioned how the legend was his reference point for the 2022 film Chup: Revenge Of The Artist. Being the seasoned storyteller that he is, Javed Akhtar cheekily recalled how Dutt had to painstakingly convince Dilip Kumar to play the lead role, all in vain. Consequently, Kumar regretted not doing three films: Pyaasa, Baiju Bawra, and Zanjeer. He also shared some interesting trivia about the film. Pyaasa, during its premiere week, performed disappointingly, throwing Dutt into a downward spiral. However, his friend, the later veteran director and filmmaker, Gajand Jagirdar, pointed out how he had wrongly placed the interval. Comparing him to the likes of a tragic Shakespearean hero, Akhtar mentioned that Dutt’s greatest fallacy was his lack of self-esteem.  Personally speaking, this insight broke the enigmatic illusion of Guru Dutt. It suggested that behind the mammoth legacy was a scared artist just like you and me. Going into great depth about the actor’s vulnerability, each member shared their fondness for Dutt. R. Balki mentioned how Dutt laid his emotions bare, which contrasts with today’s time, where resilience is celebrated more than sensitivity. Mehta spoke about how Dutt’s body of work made him realize the beauty and gentleness of pitying oneself. They each emphasized how much Dutt pulled from his subconscious, which became the fodder for his distinct, evocative style. “Great art is an exercise in paradox. Between the no man’s land of consciousness and subconscious, it emerges,” noted Akhtar. “If we know, then we are relying on craft. But relying on the unknown? That’s how it ought to be.” A minute of silence ensued, followed by an outpouring of applause. A still from the film/Ultra Movie Parlour It was finally time to watch the film. As the lights dimmed and credits rolled, I was immediately floored by the Gaussian blur-esque use of black and white. It seemed like light and shadow were central characters in the film. With Mohammed Rafi’s sonic melancholy serving as an inner monologue, Vijay Babu, the male lead, enters. An unpublished poet trying to make a mark through his words, there is a certain softness, even to his fury. I found his arrogance to be most endearing, making you root for a protagonist with the most anticlimactic name. Ridiculed by his brothers, rejected by his publishers, and ghosted by his first love, his fate was devoid of victory. Man was going through the most intense unemployment arc, all while casually reciting verses that would make a performative man fall to his knees. Vijay walked so that 6’5, Clairo-worshipping, feminist-literature-reading men could run. I couldn’t fathom how I was seeing the most authentic portrayal of creatives in a film that was made 68 years ago.  Why is it that artists have the same plight even today? How are we able to unanimously resonate with a fictional character whose battles are entirely a product of imagination? No wonder this film was recognized by Time magazine as one of the 100 greatest films of all time. Vijay’s thirst for purpose lay beyond fame, success, and money. His ideals were simple—finding happiness and community through art. But, surrounded by a hyper-consumerist society, he was constantly reminded that he could never live up to its capitalistic standards. As a humorous palate cleanser, Abdul Sattar (Johnnie Walker),

Entertainment From Rhea Raj’s confident alt-pop to Brodha V’s commanding rap, here’s what’s new on the music radar This week’s new music releases bring a mix of loud statements and intimate reflections. Rhea Raj serves up attitude with her EP Commotion, while Dhanji and Reble trade sharp bars on “Only Uparwala Can Judge Me.” Yashraj turns up the intensity in “Pissed Off,” and OAFF and Savera keep things smooth on “Matcha.” Janisht Joshi, Anumita Nadesan, and Shikhar deliver drama on “Yeh Duniya Jala Do (Glittery Cut),” as Saahel leans into monsoon romance with “Baarish Mein Phir.” Sijya’s “I Only Want To Crash” and Yung Sammy’s “Silence” offer introspective turns, while Mary Ann Alexander shines with a soulful new track, and Brodha V closes out with the commanding “Om.” Rhea Raj – Commotion EP Rhea Raj’s Commotion EP, released on Aug. 6, 2025, is a bold alt-pop project about heartbreak, self-discovery, and confidence. Across tracks like “Killer” and “Mumbai,” she introduces sleek synths, trap-inspired beats, and catchy hooks to tell a story of moving from pain to empowerment. Dhanji, Reble, Clifr – “Only Uparwala Can Judge Me” Dhanji and Reble team up on “Only Uparwala Can Judge Me,” a rap track produced by Clifr. With heavy bass and shifting melodies, it gives both artists space to deliver confident verses and unfiltered energy. The message is clear—only a higher power can judge them. Yashraj – “Pissed Off” Yashraj’s “Pissed Off” gets a striking visual treatment directed by Bhagyesh Rajeshirke, with the artist himself as creative director. The video dives into themes of rage, repression, and rebellion through a surreal storyline where a mad scientist tries to implant a “3P chip” into Yashraj’s brain. OAFF and Savera – “Matcha” OAFF and Savera’s “Matcha” is a light and playful track born out of a rainy afternoon two years ago, when canceled plans and a missing cup of matcha set the mood. Released on Aug. 7, the lighthearted track, with its electronic pop sound, is elementally perfect for summertime. Effortless in its charm, the track captures the magic that the acclaimed duo creates. Groovy and cozy, its mellow vibe could be the soundtrack to your next Matcha run. Janisht Joshi, Anumita Nadesan, Shikhar – “Yeh Duniya Jala Do (Glittery Cut)” “Yeh Duniya Jala Do (Glittery Cut)” strips back Janisht Joshi’s original for a softer, more intimate take. With Anumita Nadesan’s vocals and Shikhar’s guitar work, the track turns into a lo-fi reflection—carrying the ache of Pyaasa, but voicing it in a quiet, unguarded way. Saahel – “Baarish Mein Phir” Released on Aug. 1, “Baarish Mein Phir” is a fresh pop single by Saahel, clocking in at just under three minutes. The track feels like a gentle monsoon moment set to reflective, moody music, like stepping out in the pouring rain to soak in all its wistful charm. Sijya – “I Only Want To Crash” Sijya’s haunting new single “I Only Want To Crash” arrives as the opening track on her upcoming EP Leather & Brass, set for release on Sept. 12, via One Little Independent Records. Produced, recorded and written by the singer, the dreamy, synth-laden production transports you to a familiar unknown. Sonically ethereal and forlorn, the track is an apt addition to your 3 AM playlists. Yung Sammy, Wamp – “Silence” Yung Sammy and Wamp’s “Silence,” released on Aug. 1, is a short but striking track from the Indo-Nigerian rapper. The track’s smooth flow and 2000s R&B production are bound to make you groove. Produced by Wamp, there will be everything but silence once this track starts playing through the speakers. Mary Ann Alexander – “Good Girl” Mary Ann Alexander’s “Good Girl” is a smooth R&B track with soft vocals and laid-back production. With layered vocals and bars that rival the likes of Doja Cat, the track is reminiscent of early 2000s hip-hop and R&B, displaying her multifaceted prowess for rap, vocals, and composition. The Bengaluru-based singer-songwriter is the first Indian musician, along with twenty global artists, to be selected by the Jameson Distilled Sounds 2025, where she would be mentored by three-time Grammy-winning rapper, singer-songwriter, and record producer Anderson .Paak. Brodha V – “Om” Brodha V’s “Om” is a track that brings together his sharp rap delivery with Indian musical influences. Released on Aug. 7, it reflects his signature style of mixing strong lyrics with cultural elements. A poetic and poignant reflection of the artist’s eternal struggle with self and society, the verses weave a compelling narrative, with the calming chants of the Gayatri Mantra reverberating in the chorus. Waazir Patar – WZR TANK EP The Punjabi singer and producer returns with WZR TANK, a gritty anthology with collaborations with Roop Bhullar, Hukam, and Santali. Released on Aug. 11, it is a hefty mix of Punjabi Pop and Gangsta Rap. The four-part EP cements the artist’s sonic versatility. W.i.S.H – Sweetburn W.i.S.H has dropped their debut album, Sweetburn, on Aug. 11. A bilingual blend of Afro-Pop, synth-pop, and electronic beats, there is a track in store for everyone. Be it the catchy “Bolo Bolo” or the power-packed “Therapy,” Wishstars can look forward to a genre-defying experience. A concoction of contradictions, it’s a rejection of sonic binaries, blending the distinct artistry into one versatile album. Anhonymouss – “Deja Who?“ Straight from Kottayam, Kerala, Anhonymouss, aka Anoh Jacob Biju, released a new song, “Deja Who”, on Aug. 9. Collaborating with producer HVSH and ace lyricist Devoid, the track is a sonic amalgamation of three unique identities merged into one. Carrying forward a liminal theme, “Deja Who?” revolves around an autobiographical state of delusion. While it’s all transpiring in their heads, the artists believe that they’re being haunted by an imaginary enigma who is stealing their things. With evocative melodies and rhythmic 808s, the satirically infused song grows on you with each listen. NATE08 – “Where Are You Tonight” (Ft. Dishaan and Mallika) Released on Aug. 8, “Where Are You Tonight,” featuring Dishaan and Mallika Barot, is a soulful yet vibrant track. Synonymous with

Entertainment The song is a cool blend of hip-hop and pop that showcases CORTIS’s origin story, opening a new chapter in K-pop CORTIS. Photo: courtesy of Big Hit Music. CORTIS, K-pop’s newest rookie group, debuts under Big Hit Music, the tour de force behind K-pop supergroups BTS and Tomorrow X Together (TXT). The quintet—comprising Martin, James, Juhoon, Seonghyeon, and Keonho first made a splash on social media for about a week by launching each of their accounts. They finally introduced the world to their sound with their very first single, “Go!” on Aug. 10, which came with an accompanying music video that racked up more than three million views on YouTube in just 24 hours. The moniker “CORTIS” is a nod to “Color Outside the Lines,” a philosophy that drives the group’s artistic narrative—to think freely and break boundaries through songwriting, composing, performing, and filming. “Go!” teases this creative spirit while setting the tone for their debut album, Color Outside the Lines, dropping on September 8. The song is a cross between hip-hop and pop, featuring simple trap beats and synth riffs. With every member chipping in on production, “Go!” feels like a statement piece that embodies CORTIS’s creative vibe. In a recent interview with Rolling Stone US, Juhoon says, “I think it’s the best track to introduce ourselves. It really has our daily lifestyles, our vibes. It really introduces who we are.” From left to right: James, Juhoon, Keonho, Seonghyeon, and Martin. Photo: courtesy of Big Hit Music. Lyrically, the track is about pushing beyond limits. The pre-chorus lines “We don’t need another sign” and “Paint the town, green lights” are a call to action to keep moving forward, while the looping post-chorus line “Bring me a new beat, bring me a new hit” conveys the hunger for new sounds. When they sing “Watch me go,” it’s an invitation to see them in action and a reminder that the only way to get what you want is that you “just gotta get it.” The music video is reminiscent of guerrilla-style filmmaking that draws on stock shots and footage from the band’s early days in Los Angeles to tell their story through their own lens. Breaking away from the usual K-pop formula of lavish backdrops, expensive sets, and intricate choreography, the video records the members’ carefree vibe and camaraderie in candid, everyday moments—scenes of them running on a promenade, soaking up some sun, or messing around at a car wash. The use of a 360 camera sequence, spontaneous angles, and shaky handheld camera movements adds to the raw, natural charm of the images, while jump cuts and montage shots bring pace and excitement to the narrative. “Go!” begins a new journey—sparking a new K-pop dream—introducing CORTIS and their sound to the world. The band is officially debuting on Aug. 18, releasing “What You Want,” the lead single from their upcoming album, Color Outside the Lines. Read More

Entertainment Swift shared the news of her 12th album in a teaser clip from her upcoming appearance on the New Heights podcast Taylor Swift has announced her 12th album Matt Winkelmeyer/Getty Images for The Recording Academy Taylor Swift has officially entered a new era. The superstar announced new album, The Life of a Showgirl. Swift shared the news on her social media accounts at approximately 12:12 a.m. to mark her 12th LP. The singer uploaded a teaser video from her upcoming appearance on the New Heights podcast. In the short clip, Swift sits next to boyfriend, and podcast host, Travis Kelce as she opens up a mint green case with her initials on it in orange lettering. “I wanted to show you something,” she says to Jason. “This is my brand new album, The Life of a Showgirl.” The actual album cover is blurred out in the clip, and set to be unveiled during the actual podcast. The superstar sent Swifties into a frenzy Monday morning when both the New Heights podcast and Taylor Nation teased the announcement with cryptic social media posts. The sports-focused podcast, hosted by Swift’s boyfriend Travis Kelce and his brother Jason, teased the singer’s appearance on Wednesday’s episode with a thumbnail that was littered with Easter Eggs — from the sparkly, orange background to Jason’s Midnights T-shirt, and of course, a shadow that could only be the pop star herself. By Monday night, Swift had unveiled a countdown on her website and confirmed her appearance on the Kelce brothers’ podcast. The singer-songwriter’s previous release was 2024’s The Tortured Poets Department. The news was unexpected as Swift announced the project at the 2024 Grammy Awards while she accepted the award for Best Pop Vocal Album. Swift kept the surprises coming when she revealed the project was a double album and unveiled The Tortured Poets Department:The Anthology a few hours after the original was released. The release of new music coincided with the final legs of Swift’s record-breaking Eras Tour, making the past two years incredibly momentous for the megastar. Swift continues to be unstoppable. Earlier this year, she celebrated a major feat when she bought back the master recordings for her first six albums and finally gained control of her entire music catalog. “All of the music I’ve ever made now belongs to me,” the singer wrote in a letter on her website at the time. The news was especially monumental given the six year battle over her masters, which led her to launch her highly successful re-recording endeavor and release Taylor’s Versions of Fearless, Red, Speak Now, and 1989. Since 2020, Swift has released four full-length projects of new songs and four re-recorded albums. The singer-songwriter has addressed her creative output in recent years. “This is the proudest and happiest I’ve ever felt, and the most creatively fulfilled and free I’ve ever been,” the singer told Time in 2023. During her tour stop in Tokyo, the singer echoed that sentiment in a speech before “Champagne Problems”: “Everyone’s like, ‘Why do you make so many albums?’ Man, because I love it! I love it so much!” From Rolling Stone US. Read More

Entertainment Home News and Gossip Ahead of War 2 release, Ayan Mukerji and Rani Mukerji RETURNS from Shirdi Sai Baba temple, after see… War 2 is set to hit theatres on August 14. Now the director of the film Ayan Mukherji and Rani Mukherji were seen returning from Shirdi Sai Baba temple after seeking blessings ahead of War 2 release. The most anticipated film of the year, War 2, is going to be released in two days, which is August 14. The film is directed by Ayan Mukherji and produced by Aditya Chopra under Yash Raj Films. It stars Hrithik Roshan, Jr NTR, and Kiara Advani in the lead roles. Before the film hit the theatres, the director of the film, Ayan Mukerji, was seen visiting the Shirdi Sai Baba temple to seek blessings for the movie. His cousin, actress Rani Mukerji, went with him to the temple. Although Rani isn’t directly involved in War 2, she’s connected to the project through her husband Aditya Chopra. Aditya heads Yash Raj Films, the production company backing the movie. Rani had also recently visited Shirdi to thank Sai Baba after she won her first National Award in 30 years for the film Mrs. Chatterjee vs Norway. Entertainment From where did Rani and Ayan return? In a video shared by paparazzo Sneh Zala, it was seen that Rani Mukerji and her cousin Ayan Mukerji returned to Mumbai after they visited Shirdi. Rani Mukerji was spotted at a private airport in Mumbai wearing a white ethnic suit as she headed to her car. Ayan Mukerji was behind her, dressed in a white kurta pajama. Rani happily waved at the paparazzi and hugged Ayan before they left. Entertainment What photos and videos have shown up? On the other hand, pictures and videos of Rani Mukerji and Ayan Mukerji from their trip to Shirdi have shown up on social media. They were seen visiting the Shirdi Sai Baba temple to seek blessings. During a chat with the media, Rani said, ‘I’m feeling very happy today as I’ve come to Shirdi. Recently, since I received the National Award, I wanted to thank Baba, which is why I came. And with War 2 releasing soon — my husband’s film — I also came to pray for that.’ War 2 is set to release on August 14, a day before Independence Day. The film is the sequel of the 2019 film War. It was made with a budget of around Rs 400 crore. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Read More