Entertainment From Ed Sheeran’s Punjabi twist with Arijit Singh, Kashmiri rapper Ahmer’s gripping, surreal visual to Bengaluru rock band Perfect Strangers’ takedown of toxic love, pop artist Subhi’s folk-inspired song and more It’s been a week of surprise releases as well as long-anticipated projects finally reaching audiences. King dropped a new three-track EP called Shayad Koi Na Sune to indulge his loverboy pop side again, while multi-genre artist Rounak Maiti served up his new album Brute Fact/Home Truth that’s been in the works for five years. Plus, there’s a formidable new prog anthem from Peekay, a question posed by Alif and more. King – Shayad Koi Na Sune King’s new EP Shayad Koi Na Sune marks a reflective, stripped-down turn in his music, showcasing a softer and more emotive side of the artist. The three-track project—”Sab Be Asar,” “Speak Softly,” and “Yeh Zindagi Hai”—leans on minimal production and heartfelt songwriting, with King exploring themes of heartbreak, resilience, and acceptance. Moving away from his rap-heavy roots, he embraces a singer-songwriter style, letting intimate lyrics and mellow melodies take center stage. Peekay – “Hyperspace” Hyderabad/Los Angeles act Peekay—led by singer-songwriter Pranati Khanna—deliver a soaring prog rock/metal earworm with “Hyperspace.” Walking a fine balance between alt-rock influences for the chorus and bringing out the screams that she’s been honing for some time now, Peekay also offer a tech-dystopic music video for the track. The band says in a statement, “‘Hyperspace’ is a sonic freefall through emotional distance and digital illusion — a song for the ones chasing ‘better’ until they break. We sell ourselves the lie that the grass is greener, that another city, another life will save us. But hell wears many faces — and whether it’s the U.S. or modern India, the media dresses it up to sell us dreams that bleed.” Rounak Maiti – Brute Fact/Home Truth On his first album in five years, Mumbai-based artist Rounak Maiti is ephemeral (in a good way) across 10 songs on Brute Fact/Home Truth. There’s a familiar lo-fi waviness that is both, electronic and acoustic that throws back to his SoundCloud producer/singer-songwriter roots. He goes from loud to quiet, noisy to dreamy and all the spaces in between on songs like “Scary Season.” Bright beats drive “Self-Discipline” and there’s hints of jazz (“A Thorn In Your Side”) and trip-hop (“Unworried”) and earnest confessions on “2x Playback Speed” and “Blinding Light America.” It’s like he becomes a different artist on each track and sometimes, he gets a little help, like the warm “Learnt My Lesson” with Karshni and the giddy, self-defeating “Self-Medicate” with Shantanu Pandit. Maiti says in a press release about the album, “It is a searing critique of the self; a deeply personal form of catharsis that has been long overdue; a deeper inquiry into his many “home truths”––things, especially those that are unpleasant, that are known to be true and cannot be ignored; and “brute facts”—facts that cannot be explained in terms of a deeper, more fundamental fact. As it might be put, there may exist some things that just are. Brute Fact/Home Truth is a testament to those things.” Shillong Chamber Choir – “You Came Into Our Lives” The feted Shillong Chamber Choir pay respect to their founder—composer, conductor and pianist Neil Nongkynrih—on a somber new release called “You Came Into Our Lives.” The Hindi and English song features lyrics by Nongkynrih as well as Deelip Kumar Sahu in an aptly vocal-driven arrangement. While Nongkynrih—who passed away in 2022—wrote the lyrics to express gratitude to friends and family, the song is now a tribute to him. The choir says in a statement, “Uncle Neil gave us more than music, he gave us purpose, family and direction towards a meaningful life, especially as young people in the great sea of music and entertainment. ‘You Came Into Our Lives’ is not just a song; it is our way of saying thank you to the man who shaped us, and to all those who have been part of this incredible journey with us.” Perfect Strangers – “Honey Words” Bengaluru band Perfect Strangers return with their first song in two years with the funked-up “Honey Words.” Led by vocalist Ananya Raja’s sublime R&B and jazz vocal range and produced by Ahmedabad’s Raag Sethi at Compass Box Studio, there’s plenty of bounce and intriguing turns by the band, who bring in horns, guitars and keys and lay them over fist-tight but breezy rhythms. The band says in a statement, “‘Honey Words’ delves into the sticky, addictive trap of a toxic love. With a sarcastic edge, this track explores the struggle to break free from a relationship where love becomes a painful habit.” Ahmer, Pho, Arif Mir – “Dunya” Srinagar’s hip-hop firebrand Ahmer teams up New Delhi artist Pho and producer Arif Mir for “Dunya,” marking a return to English rap but this time blended with his Kashmiri and Hindi bars. Introspective and defeated, Ahmer’s rap is elevated by Pho’s understated but deep lyrics of togetherness. Mir, for his part, introduces a sample of a classic Kashmiri folk song sung by the legendary Ghulam Hassan Sofi, and penned by feted poet Rehman Rahi. “Dunya” comes with a music video directed by filmmaker Mehran Ali Ansari. The visuals take a few surreal turns while remaining grounded in the reality of the Kashmir Valley. A press release adds, “‘Dunya’ is a soulful reflection on the illusion of permanence we all fall for — the idea that this world will last forever. Takar Nabam, Donna – “Goodbye Dreams” Arunachal singer-songwriter Takar Nabam pens down his 30-something ruminations on dreams that he’s let go of, on the reminiscing R&B/pop single “Goodbye Dreams” featuring Korean singer-songwriter Donna. It was written first during the “gloom of the post-COVID era,” according to Nabam. “This soulful song was rediscovered unexpectedly while I sifted through old recordings, revealing a poignant piece that’s finally ready to resonate,” he says in a statement. Shot in Japan during his recent tour earlier this year, the music video