Entertainment

Entertainment Veer Pahariya is rumoured to be dating Tara Sutaria. However, none of them have confirmed the news yet. Here’s a look at who is richest amongst them and the most educated. 1/8 Entertainment Veer Pahariya and Tara Sutaria news A lot has been said about Veer Pahariya and Tara Sutaria. Veer recently impressed everyone with his performance in Sky Force. The actor has received a lot of love. As per reports, Tara Sutaria has been in a relationship with Veer. They have never confirmed the news but their social media comments and pictures say a lot. They have also been spotted together many times. Hence, people feel that they are together. Also, Veer’s comment on Tara’s recent picture has raised questions. 2/8 Entertainment Veer and Tara’s net worth and education Veer and Tara have been in the industry for a long time now. Tara has done more work than Veer. Their net worth and educational backgrounds are very different. 3/8 Entertainment Veer’s earnings Veer Pahariya’s earnings mainly come from business ventures, music, and his acting career. As per reports, Veer Pahariya received Rs.50 lakhs for Sky Force. 4/8 Entertainment Veer’s net worth His net worth is reportedly around Rs 50 lakhs. However, this is not the exact amount that we have shared. 5/8 Entertainment Veer’s education Veer went to Dhirubhai Ambani International School. He holds a Bachelor of Arts degree in Global Financial Management from Northeastern University Boston and Regent’s University London. 6/8 Entertainment Tara’s earnings Tara Sutaria earns mainly from films and other acting projects. Her earnings also come from brand endorsements and social media. 7/8 Entertainment Tara’s net worth Tara Sutaria’s net worth is higher than Veer Pahariya. Of course, she has been in the industry before Veer. Her net worth is around Rs 2-3 crores. 8/8 Entertainment Tara’s education Tara Sutaria has attended the Royal Academy of Dance and St. Andrew’s College of Arts, Science and Commerce. She is trained in classical ballet, modern dance, and Latin American dance. Don’t Miss Out on the Latest Updates. Subscribe to Our Newsletter Today! Entertainment Subscribe Now Enroll for our free updates Read More

Entertainment Jay Park presents a fresh sound in ‘Remedy’ in a dystopian music video exploring the toxic depths of love and obsession, co-starring Chun Woo-hee Jay Park. Photo: courtesy of the artist. Jay Park, the Korean-American artist and hip-hop sensation, has returned with “Remedy,” his brand-new English track, packaging it with audiovisual elements that give you an all-new Jay Park song—and honestly, no complaining with this one—the song will draw you in, evoking the mood of an intense dystopian K-drama. If you’re familiar with Park’s music and his previous hits, including “Mommae,” “All I Wanna Do,” “Solo,” “Ganadara,” and “Why,” you’ll see that “Remedy” is very different than before, as it moves away from his usual contemporary R&B and hip-hop roots for a more moody, synth-heavy sound. Produced by popular American songwriter and producer Brian Lee, the track’s ambient sound design is an effective backdrop for its grim visual narrative and Park’s emotive vocals. “Remedy” lyrically explores the impact of addictive love and toxic obsession, as seen in its lines like “Need your poisonous remedy/Take my head into the cloud/Don’t plan on ever coming down.” The oxymoron “poisonous remedy” underscores the paradox of “chaos and healing that comes with addictive love,” as noted in a press release. The title “Remedy” is itself ironic, implying that the object of desire is both the poison and the remedy. Photo: courtesy of the artist. The cinematic music video opens to a dystopian world with the lines, “In the near future, only two factions remain. The Regime. The Walkers. The war is no longer fought by soldiers, but by clones. Assassins who burn their memories to be reborn. Again and again. No past, no future. Only the mission.” The frame then cuts to a close-up of Park sitting in a dark, enclosed space, contemplative, before transitioning into a larger space amid masked dancers. He’s introduced as Agent X, representing the Walkers, a ruthless assassin locked in a fight with Agent 42 from the Regime side, played by popular Korean actress Chun Woo-hee. The visuals are intense, alternating between tension—Park’s bloody altercations with Chun, hinting at the all-consuming nature of their toxic relationship—and release, his slick and crisp dance moves. Their fights in a cycle of violence, where the two agents kill and are reborn in a loop of simulations, mirrors the nature of toxic love, where pain perpetually cycles back, something you just can’t escape. The lyrics “Scars, they got no meaning/’Cause I’ve seen that kind of bleeding” hit hard in its relatability, as Agent X and Agent 42 are reborn, their memories erased, but the pain still lingering. As Park sings “Dearly departed/It seems like it just started/Deep in my core/I’ve died a million times,” the words echo like a haunting reminder of the cyclical nature of their love. As their story reaches its climax, the two kill themselves—the streams of blood from their lifeless bodies slowly flow towards each other, symbolizing the inescapable pull of their toxic bond. And in the end, it’s not a love story, but a fatal loop that repeats until there’s nothing left. Read More

Entertainment “Doesn’t matter to us who you’re fucking mingling with, or tingling with, or fingering with. It’s none of our fucking business,” the musician said onstage in Manchester Liam Gallagher of Oasis performs at the opening night of their Live ’25 Tour July 4, 2025. Samir Hussein/WireImage Oasis have revealed a last-minute bonus for ticket holders attending their sold out Live ’25 reunion tour: each ticket comes with a free pass to cheat on whoever you want, only valid at participating venues. “Do we have any lovebirds in the house? Don’t worry, we don’t got any of that Coldplay snidey fucking camera shit,” Liam Gallagher asked onstage in Manchester. In the wake of Coldplay’s inadvertent Cheating CEO Camera, it’s a fair warning. Last week, a scene from the “Jumbotron Song” portion of Coldplay’s live show went viral after the camera landed on two people who went from cuddled-up couple to alleged cheating culprits as they ducked out of sight in visible panic. “Either they’re having an affair or they’re just very shy,” frontman Chris Martin joked from the stage. The not-so-willing participants were later revealed to be CEO Andy Byron and Chief Human Resources Officer Kristin Cabot of the tech company Astronomer. On Friday, Astronomer issued a statement announcing its Board of Directors “initiated a formal investigation into this matter and we will have additional details to share very shortly” and had placed both employees on leave. If the decision was up to the Gallaghers, the whole thing might have blown over. “Doesn’t matter to us who you’re fucking mingling with, or tingling with, or fingering with,” Gallagher said at their show. “It’s none of our fucking business.” On Saturday, the company announced that Byron had resigned. At the first Coldplay concert since the apparent infidelity incident, Martin gently reminded the audience that their attendance implies an understanding that they may be filmed. “We’d like to say hello to some of you in the crowd,” Martin told the Camp Randall Stadium audience. “How we’re gonna do that is we’re gonna use our cameras and put some of you on the big screen. So please, if you haven’t done your makeup, do your makeup now.” From Rolling Stone US. Read More

Entertainment Tyler, the Creator Rodin Eckenroth/WireImage As promised, Tyler, the Creator released his new album, Don’t Tap the Glass, this morning, just days after the rapper revealed his surprise follow-up to 2024’s Chromakopia. The 10-track LP, out via Columbia Records, is the rapper’s ninth album. It clocks in at 28 minutes and 30 seconds, with no special guests noted on the track list. Tyler, the Creator wrote on social media that the music is “MADE FOR BODY MOVEMENT. FULL VOLUME.” Listen here. “I asked some friends why they don’t dance in public and some said because of the fear of being filmed,” Tyler shared in a social media statement. “I thought damn, a natural form of expression and a certain connection they have with music is now a ghost. It made me wonder how much of our human spirit got killed because of the fear of being a meme, all for having a good time. I just got back from a ‘listening party’ for this album and man was it one of the greatest nites of my life. 300 people. No phones allowed. no cameras, just speakers and a sweatbox. Everyone was dancing, moving, expressing, sweating.” He continued: “It was truly beautiful. I played the album front to back twice. It felt like that pent up energy finally got released and we craved the idea of letting more of it out there was a freedom that filled the room. a ball of energy that might not translate to every speaker that plays this album but man did that room nail it. This album was not made for sitting still, dancing, driving, running. Any type of movement is recommended to maybe understand the spirit of it. Only at full volume.” During his show in Brooklyn on Friday, Tyler shouted-out the album title, and outside his concert at Barclays Center, there was a massive figure enclosed in a clear box that read “Don’t Tap the Glass.” Tyler confirmed the album and its impending July 21 arrival (as well as a preorder page) on social media soon after. A few days prior, the rapper hinted that something would be heading to fans soon, with Tyler sharing images on Instagram of a Louis Vuitton bag, a mannequin’s head, and a trumpet player in a band uniform all labeled with the date July 21. Last month, Doechii and Tyler previewed their new Pharrell-produced track “Get Right” during Louis Vuitton’s fashion show in Paris. That collaboration does not appear on Don’t Tap the Glass. Don’t Tap the Glass follows last year’s Chromakopia, which arrived in October. That album featured a hefty list of collaborators, including Doechii, Childish Gambino, GloRilla, Lil Wayne, Lola Young, Santigold, Teezo Touchdown, Schoolboy Q, and Sexyy Red. Prior to the arrival of Don’t Tap the Glass, a similarly all-star guest list was rumored, but Tyler shot down those rumors on social media this past weekend: “NONE OF THESE PEOPLE ARE ON THIS, I DID NOT POST THIS INFO I DONT KNOW WHERE YOU GOT THIS FROM TO CONFIRM IT.” Don’t Tap the Glass Track List: 1. Big Poe2. Sugar on My Tongue3. Sucka Free4. Mommanem5. Stop Playing With Me6. Ring Ring Ring7. Don’t Tap That Glass / Tweakin’8. Don’t You Worry Baby9. I’ll Take Care of You10. Tell Me What It Is From Rolling Stone US. Read More

Entertainment “She is such a master in the studio. This album is about letting inhibitions go,” Zhone tells Rolling Stone about DL9, which is expected later this year Demi Lovato Paris Mumpower Lovato tapped Zhone — the music maker behind “Someone for Me” by Kylie Minogue, “Rush” by Troye Sivan, and “Joyride” by Kesha — to executive-produce the upcoming project. “It’s been so inspiring working with Demi and experiencing her journey of continued leveling up,” Zhone tells Rolling Stone about their work together. “She is such a master in the studio. This album is about letting inhibitions go, and we had so much fun making this music! It really comes across throughout.” Fans have already started to get a taste of DL9 with teasers posted by Lovato of the album’s lead single, “Fast.” The music is a significant step away from the rock-leaning energy of her two last projects, 2022’s Holy Fvck and 2023’s Revamped, which reimagined her pop hits as rock tracks. When she announced Revamped with Rolling Stone, she said she was considering a return to pop. “I was listening to a bunch of metal. And now, I’m trying to wrap my brain around more pop-sounding stuff, just in case my music wants to take that direction,” she said at the time. On the new project, she’ll tap into the sound she’s explored on some of her chart-topping EDM collaborations, such as 2018’s “Solo” with Clean Bandit, 2017’s “No Promises” with Cheat Codes, and “Instruction” from Tell Me You Love Me with Jax Jones. Her electropop goes back to 2013, when she included fan favorite “Neon Lights” on her self-titled record Demi. From Rolling Stone US. Read More

Entertainment Ram Arangi is a boundary-pushing comedian whose sharp, introspective humor blends personal history, cultural critique, and diasporic identity into fearless, resonant storytelling that breaks strong stereotypes abroad about India Earlier this year, 21-year-old Nitish Kumar Reddy made his mark on cricketing history with a maiden century at the iconic Melbourne Cricket Ground. As Harsha Bhogle, the voice of Indian cricket, beautifully put it, “It’s a hundred of great romance, valour, excitement, and emotion.” But it was his next words that truly struck a chord: “From Visakhapatnam to one of the world’s greatest stadiums, the tears and the hard work—they’ve been worth it.” But this isn’t the only story putting Vishakhapatnam on the global map. Ram Arangi’s journey is equally compelling, though in an entirely different arena. Raised in Visakhapatnam, where career paths were mapped out with conventional expectations, Arangi defied norms to pursue a comedy career. A fan of late-night talk shows, he’s now carving a name for himself on the European comedy circuit, blending South Indian cultural quirks, immigrant struggles, and sharp social commentary into his unique performances.​​ When asked whether he’s a “punching up” or “punching down” comedian, Ram reflects that early in his career, his comedy was about punching up—challenging those who expected him to feel inferior. “I was saying, ‘I’m not going to be defined by how I look or sound,’” he explains. But over time, Ram realised everyone has their struggles. Diasporic audiences who throng to his shows relate strongly with how Arangi persistently addresses the elephant in the room. His routine is dotted with uncomfortable subjects—like dealing with immigration authorities, mistaken identities and the mundaneness of being a foreigner. What sets Ram apart from other Indian comics touring Europe, though, is his transparent narration of the Indian experience—which is complicated to say the least. A Small-Town Dreamer with Big-Time Laughs Growing up, Ram was a studious child raised in a South Indian household that valued academics. Comedy in Vizag was limited to Tenali Ramakrishna comics, mimicry acts or fleeting moments in Telugu films. However, Ram’s first exposure to comedy came through a grainy YouTube clip of Conan O’Brien. Watching the quippy banter and razor-sharp wit of late-night television hosts in America, he felt an unfamiliar pull. “I had no idea stand-up was even a thing,” he admits. But something clicked. Arangi with Conan O’Brien. Photo: Courtesy of the artist A scholarship to the University of Oklahoma took Ram to the U.S., where he majored in Sports Management & Entrepreneurship. If America represented the land of opportunity, it also delivered an unexpected reality check. Early encounters with racial microaggressions, particularly around his accent, reframed his perspective. “My father always admired people who spoke with an American accent,” Ram recalls. “But the first time I heard it used against me in a derogatory way, I knew I would never change the way I spoke”. This defiance would later become central to his comedic voice. To Be Young, Gifted and Foreign! After graduation, Ram moved to New York City, where he immersed himself in the stand-up scene, attending shows at the infamous Comedy Cellar almost every night. His first live stand-up experience was watching his idol Bill Burr in Tulsa—an unforgettable night that solidified his passion for the craft. With the foundation of standup comedy education now built, Ram headed towards his next destination. Europe.  Shortly after arriving in Spain to pursue his master’s in international business, Ram was robbed at gunpoint—a story he now tells with his signature humor. “I lost my wallet but gained a new personality”. A job at Nike as a supply chain lead brought him to Amsterdam, where he got his next wake-up call: racially charged encounters. From being mistaken for an Uber Eats driver to being accused of shoplifting spices, each of these pushed him closer to the stage. Being felt less than simply because of how he looked made Ram, a lifelong introvert, finally face his fears. His journey towards standup excellence had humble beginnings. But his first set, performed at a park open mic with just a few spectators (and a couple of stray dogs), sparked something within him. Ram quickly realised that his experiences as an outsider resonated with anyone who had ever felt out of place. After cutting his teeth in countless open mics, Ram took a leap of faith.  Ram at an open mic in the park. Photo: Courtesy of the artist The Edinburgh Fringe Gamble Despite being a newcomer, Ram took a bold leap and self-produced a show at the prestigious 2022 Edinburgh Fringe Festival—the world’s largest arts festival. “Everyone told me I wasn’t ready,” he says. “Which was exactly why I knew I had to do it.” His first night had an audience of just three people in a 70-seat cave-like venue. The next day, he hit the streets to hand out flyers and didn’t stop for three weeks straight. By the end of the festival, his show was selling out. According to Ram, “Fringe is a place where people from all different cultures come together. That gave me the self-belief that no matter if I do the show in Mumbai or if I do it in Bratislava, people are people.”  Ram Arangi is the boss and the intern of his comedy business. His corporate life instilled in him discipline and a work ethic. “I have spreadsheets,” Ram said, referring to running his comedy enterprise. He takes care of everything, including creating posters, finding venues to perform in, negotiating fees, handling tickets, promoting shows, and shooting and editing content for social media.  Ram Arangi at Edinburgh Fringe Festival, performing to three people on day 1. Photo: Courtesy of the artist The Influence of Unmet Idols For Ram, comedy is both a craft and a compass. “It was in high school when I realised the weight of being a goody two-shoes. If my friends from then were to watch my standup videos now, they would accuse them of being AI-generated.”  In the U.S.,

The BHA said the new tax rate could lead to the industry losing £160 million in income. The British Horseracing Authority (BHA) has called on the government to consider introducing a separate, lower tax rate for betting on racing to help protect the future of the sport. The organisation made the plea in its formal

The number of VIP and high-value customer schemes has dropped by 95% on a per-operator basis after a new code of conduct was introduced in 2020. The number of high-value customers (HVCs) or VIPs in Great Britain has dropped by 95% per operator, since the Gambling Commission (GC) strengthened restrictions on VIP schemes in 2020.

Latin America revenue climbed 35.4% in Q2 as Betsson saw growth in Peru and Argentina. In Q2 Betsson reported an 11.9% year-on-year increase in revenue, helped by record performances by its businesses in both Latin America and Western Europe. Revenue for the three months to 30 June was €303.7 million ($352.9 million), Betsson said in

Right to the Source is back, and this week Robin Harrison and Ed Birkin are discussing the Peru online gaming market and whether Brazil casino regulation can be salvaged.  This week Ed is testing formats, so from last week’s random country generator Peru and Niger are up for discussion. Peru online gambling regulation passed last